Research

  • Towards the Third Foundation of Buenos Aires: Facsimile Edition of Le Corbusier’s Unpublished Plan (1929–1948)
  • GRANTEE
    Jorge Francisco Liernur & Isabella Moretti
    GRANT YEAR
    2026

Le Corbusier with Jorge Ferrari Hardoy and Juan Kurchan, “Plan Director de Buenos Aires (Cover),” 1938–40. Maquette, 9 7/8 x 13 3/4 in. Courtesy Frances Loeb Library Special Collections, Graduate School of Design, Harvard University, Cambridge

This project develops the first comprehensive study of Le Corbusier’s master plan for Buenos Aires (1938–1940), a critical yet often overlooked episode in modern urban history. The research phase involves locating, gathering, and analyzing three key sources: Le Corbusier’s 54-page manuscript prepared in Paris in 1939; the spiral-bound model produced in Buenos Aires by Jorge Ferrari Hardoy and Juan Kurchan, incorporating photographs, collages, and new design strategies; and the original sketches and drawings preserved at the Fondation Le Corbusier in Paris. By examining these materials in parallel, the project reconstructs the editorial, graphic, and conceptual transformations that shaped the plan, highlighting its fragmentary and unfinished character. This work includes archival research, critical writing, and the outline of a volume that reproduces and contextualize these documents, ultimately opening new perspectives on transnational collaborations, the politics of urban modernism, and the role of architectural archives in shaping cultural memory.

Jorge Francisco Liernur is an architectural historian, critic, and author based in Buenos Aires. He has taught architectural history and theory at several institutions and has published extensively on modern architecture in Argentina and Latin America. His books include La red austral: Obras y proyectos de Le Corbusier y sus discípulos en la Argentina (1924–1965) (Editorial de la Universidad de Quilmes, 2012, with Pablo Pschepiurca). In this project, he serves as author, researcher, and editor, bringing decades of expertise on Le Corbusier’s networks and the cultural construction of modernity in Argentina.

Isabella Moretti is an architect, researcher, and editor based in Buenos Aires. She is the director of the architecture archive and a visiting professor on the history of modern art and design at the School of Architecture and Urban Studies at Torcuato Di Tella University. She has worked as a researcher at the Bauhaus Dessau Foundation and the Government of the City of Buenos Aires. She has also served as the editor-in-chief of Lots of Architecture publishers and NESS magazine. Moretti is a founding member of Cooperativa Espacial. In this project, she serves as coeditor.