The Graham Foundation is pleased to announce the award of $534,850 for new grants to individuals around the world to support 74 projects engaging original ideas that advance our understanding of the designed environment. The funded projects include exhibitions, publications, films, new media works, and site-specific installations that promote rigorous scholarship, stimulate experimentation, and foster critical discourse in architecture.

The funded projects were selected from over 600 proposals and represent a diverse group of individuals and collectives, totaling 74 projects undertaken by 111 collaborators. The projects are helmed by architects, artists, choreographers, historians, and filmmakers, who hail from around the world, representing cities such as Milan, Italy; Phnom Penh, Cambodia; Tallinn, Estonia; Kampala, Uganda; and Chicago, IL, where the Graham Foundation is based. The new grantees join a worldwide network of individuals and institutions that the Graham Foundation has supported through the award of more than 4,400 grants over the past 62 years in its role as one of the most significant funders in the field of architecture.

To learn more about the 2018 Grants to Individuals, click on any grantee name below to visit their online project page, or go here. You can also read about the announcement in an exclusive article published in the Architect's Newspaper.

Join us in congratulating our new grantees on social media: Instagram, Twitter, and Facebook, and use the hashtags #GrahamFoundation, #GrahamFunded, and #GrahamGrantee to share the news.

EXHIBITIONS (9)

Jasmina Cibic (London, United Kingdom), Cyril Eberle, Phi Yen Nguyen, Huong Dieu Pham, and Hoanh Tran (Ha Noi and Ho Chi Minh City, Vietnam; and Singapore), David J. Getsy (Chicago, IL), Stefan Gruber (Pittsburgh, PA), Gordon Hall (New York, NY), Ashley Hunt (Los Angeles, CA), MILLIØNS: Zeina Koreitem and John May (Topanga, CA), Karthik Pandian and Andros Zins-Browne (Cambridge, MA and Brussels, Belgium), Hito Steyerl (Berlin, Germany)

FILM/VIDEO/NEW MEDIA PROJECTS (6)

Gina M. Angelone (Calabasas, CA), Ben Thorp Brown (New York, NY), Davy Chou and Kavich Neang (Phnom Penh, Cambodia), Gerard & Kelly: Brennan Gerard and Ryan Kelly (New York, NY), Diane Hodson and Jasmine Luoma (New York, NY), Alysa Nahmias, Petter Ringbom, Marquise Stillwell, and Erin Wright (Los Angeles, CA and New York, NY)

PUBLIC PROGRAM (1)

Cooking Sections: Daniel Fernández Pascual and Alon Schwabe (London, United Kingdom)

PUBLICATIONS (33)

Kelly Bair, Kristy Balliet, Adam Fure, and Kyle Miller (Ann Arbor, MI; Chicago, IL; Columbus, OH; and Syracuse, NY), Tatiana Bilbao Estudio: Tatiana Bilbao, Gabriela Álvarez, Alba Cortés, and Juan Pablo Ponce de León (Mexico City, Mexico), Can Bilsel and Juliana Maxim (San Diego, CA), Nolan Boomer, Cole Cataneo, Julia Llinas Goodman, and Sean Suchara (Long Beach, CA; New York, NY; and Seaford, NY), Valerio Borgonuovo and Silvia Franceschini (Bologna, Italy and Milan, Italy), Eric Bunge and Mimi Hoang (New York, NY), Zachary Cahill (Chicago, IL), Kenny Cupers, Catharina Gabrielsson, and Helena Mattsson (Basel, Switzerland and Buffalo, NY), Christopher Domin and Kathryn McGuire (Tucson, AZ), Rami el Samahy, Chris Grimley, and Michael Kubo (Boston, MA and Houston, TX), Other Forms: Jack Henrie Fisher and Alan Smart (Chicago, IL), Diane Yvonne Ghirardo (Santa Monica, CA), Janina Gosseye, Naomi Stead, and Deborah van der Plaat (Brisbane and Melbourne, Australia), Ingrid Hapke and Wouter Osterholt (Berlin, Germany), Joseph R. Hartman (Kansas City, MO), Ron Hunt, Andrew Lister, and Matthew Stuart (Chicago, IL; Hastings and London, United Kingdom), Sharon Irish (Champaign, IL), Sandra Jasper (Cambridge, United Kingdom), Karen Koehler (Amherst, MA), Vladimir Kulić (Oakland Park, FL), Johana Londoño (Albany, NY), Eeva-Liisa Pelkonen (New Haven, CT), Vikramaditya Prakash (Seattle, WA), Anna Puigjaner (Barcelona, Spain), Philippe Rahm (Paris, France), David Reinfurt (New York, NY), Alexander Robinson (Los Angeles, CA), Cole Roskam (Hong Kong), Fred Scharmen (Baltimore, MD), Maggie Taft (Chicago, IL), Neyran Turan (Berkeley, CA), Gary Van Zante (Cambridge, MA), Ines Weizman (London, United Kingdom)

RESEARCH AND DEVELOPMENT (21)

Monica Amor (Baltimore, MD), Germane Barnes (Coral Gables, FL), Caitlin Blanchfield and Nina Valerie Kolowratnik (New York, NY and Vienna, Austria), Bradley Cantrell and Emma Mendel (Charlottesville, VA and New York, NY), Marielsa Castro Vizcarra (Calexico, CA), Joseph Litchfield Conteh (London, United Kingdom), Nicholas de Monchaux (Berkeley, CA), Brian D. Goldstein (Washington, DC), Lisa Hsieh (Minneapolis, MN), Ana María León (Ann Arbor, MI), Carl-Dag Lige (Tallinn, Estonia), Noritaka Minami (Chicago, IL), Mark R.O. Olweny (Kampala, Uganda), Galen Pardee (New York, NY), Sun-Young Park (Fairfax, VA), Luz Marie Rodríguez (Dublin, OH), David K. Ross (Montréal, Canada), Diane Simpson (Wilmette, IL), James Voorhies (San Francisco, CA), Nicole L. Woods (Notre Dame, IN), Sara Zewde (Seattle, WA)

GRAHAM FOUNDATION FELLOWSHIPS (4)

Torkwase Dyson (New York, NY), Brendan Fernandes (Chicago, IL), Martine Syms (Los Angeles, CA), Mark Wasiuta (New York, NY)

Image: Rick Guidice, Stanford Torus Cutaway, 1975. NASA Ames Research Center. From the 2018 Graham Foundation Individual Grant to Fred Scharmen for Space Settlements

New in the Bookshop:

365 Days of Invisible Work

Werker Collective, Marina Vishmidt, Lisa Jeschke / Spector Books 2017 / $30

780 p, ills bw, pb with tear-off pages, English

365 Days of Invisible Work contains 365 images collected and compiled by the Domestic Worker Photographer Network. Members of this open network took photographs of themselves and others as gardeners, dishwashers, domestic workers, mothers, interns, artists, and as (illegal) migrants, generating a collective and political representation of domestic space. 365 Days of Invisible Work depicts a critical view of domestic work and work at home, as seen through the eyes of contemporary amateur photographers. 365 Days of Invisible Work is the third edition of the Werker Magazine series initiated by the founders of the Werker Collective, Marc Roig Blesa and Rogier Delfos. It was conceived as part of the Grand Domestic Revolution, a “living research” project by Casco – Office for Art, Design and Theory, Utrecht, that ran from 2009/10–12. The Werker Collective’s practice is inspired by the Worker Photography Movement of the 1920s and 1930s. Far from having a rhetorical approach, it looks into ways of reactivating the movement’s working methodologies, based on self-representation, self-publishing, image analysis, and collective learning processes.

 

The Artist as Curator: An Anthology

Elena Filipovic ed. / Mousse & Koenig Books 2017 / $29.95

416 p, ills color & bw, pb, English

This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

 

Babel’s Present

Kyle Dugdale / Standpunkte Dokumente 2016 / $12

72 p, bw, pb with photo postcard, English

The Tower of Babel is known for its absence. A landmark of architectural self-doubt, it has survived not as a physical object but through its representation in text and image. But over the last century, the Tower has rematerialized in an enigmatic array of projects that invite reassessment. From Robert Koldewey's excavations in Mesopotamia, to full-scale reassemblies in Berlin, surrogate reconstructions by Saddam Hussein, and mock ruins built in upstate New York for the US Department of Defense, Dugdale plots this story against the background of recent conflict in Iraq, presenting Babel as a vital challenge to the politics of architecture's material presence.

Crisis on Crisis

Andrew Leach / Standpunkte Dokumente 2017 / $12

64 p, bw, pb with photo postcard, English

Manfredo Tafuri's 1966 book l'architettura del Manerismo nel Cinquecento europeo is an early and oft-overlooked instance of his decades-long inquiry into the architectural history of early modern Italy. Read today, it comes across as both an imperfect attempt at a scientific treatment of his subject and an engaged plea for a new orientation in the historiography of architecture. Leach presents brief guide to this book, acknowledging its relationship with more widely read works on the problem of doing history in the architectural culture of the nineteen-sixties and making the case for its importance for contemporary reflections on the relationship between architecture's past and present.

 

Exposed Architecture / Arquitectura Expuesta

Isabel Abascal & Mario Ballesteros eds. / Park Books 2017 / Graham Funded / $29

304 p, ills color & bw, pb, English & Spanish

Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts: documents and images from exhibitions, studio interludes, and short essays and interviews.

 

FOOTPRINT 21: Trans-Bodies / Queering Spaces

Robert Alexander Gorny & Dirk van den Heuvel eds. /Jap Sam & TU Delft 2017 / $tk

65 p, ills bw, pb, English

This issue of Footprint looks into the latest developments in queer theory and the related, emerging field of trans studies, and how they might inform and even reconceptualise architecture. Even though the introduction of queer theory into architecture dates back to the 1990s, there is still fairly little literature available specific to architecture. What could architecture do, if we would leave behind essentialist approaches? Would it be possible to ‘undo’ the body of architecture and architecture theory and to allow for new figurations of knowledge, to ‘queer’ our understanding of architecture as a field engaged in consistent transformation, the material interface of processes of becoming?

 

The Funambulist #16: Proletarian Fortresses

Leopold Lambert ed. / Graham Funded / The Funambulist 2018 / $14.75

61 p, ills color & bw, pb, English

Proletarian Fortresses is an issue that proposes a resolutely political reading of self-built neighborhoods, appropriated architectures, refugee camps, and worker quarters. Constructed against the humanitarian and romanticizing orientalist narratives, it insists that these urban forms exist in the tension of what they are prevented to be by various embodiment of state violence and what they succeed in being thanks to their residents’ daily resistance.

Roberto Burle Marx Lectures: Landscape as Art and Urbanism

Gareth Doherty ed. / Lars Müller 2017 / Graham Funded / $30

288 p, ills color & bw, pb, English

This collection presents a dozen of Burle Marx’s lectures, most of which have never before been available in English. The lectures paint a picture of Burle Marx not just as a gardener, artist and botanist, but as a landscape architect whose ambition was to bring radical change to cities and society. The lectures are framed by photographs of Burle Marx’s projects realized all over Latin America – all taken by photographer Leonardo Finotti.

 

Sausage of the Future

Carolien Niebling / Lars Müller & ECAL 2017 / $30

156 p, ills color & bw, pb, English

Can we count on the sausage to provide a solution, in order to reduce the consumption of meat? And can the use of new ingredients increase the diversity of our diets? Can the sausage make a considerable contribution to a sustainable food culture? To answer these questions, a chef of molecular gastronomy, a master butcher and a designer have teamed up to look into sausage production techniques and potential new ingredients – like insects, nuts and legumes – to reinvent the sausage of the future.

Slavs and Tatars: Mouth to Mouth

Pablo Larios ed. / Koenig Books 2018 / $59.95

232 p, ills color & bw, hb, English

Mouth to Mouth is the first monograph of art collective Slavs and Tatars, designed by Heimann + Schwantes, and published in collaboration with the Ujazdowski Castle Centre for Contemporary Art.

Defining an area “east of the former Berlin Wall and west of the Great Wall of China” as their remit, Slavs and Tatars repeatedly creolize, craft and collide a political and imagined geography to topple our brittle notions of identity, language, and beliefs. Throughout their ten-year practice, the artists have turned to Turkic language politics, medieval advice literature, the relationship between Iran and Poland, and transliteration, to name but a few of their areas of research. A region sandwiched between empires (Russian, Byzantine, Persian, to name a few), ideologies (Communism and political Islam), not to mention the Abrahamic faiths, Eurasia becomes a foil to an understanding of ourselves as multiple subjectivities. The artists’ work — from sculptures to lecture performances, installations to publications — similarly overturn the traditional hierarchies of understanding, seeing, and listening. Slavs and Tatars are keen to free knowledge from the Enlightenment confines of the mind. Their “Kitab Kebab” series offers a digestive approach to reading as opposed to the strictly analytical. A sculpture often leads to a book to be read on a carpet that drops us off at the feet of an old man riding backwards on his donkey.

 

Supercommunity

Julieta Aranda, Anton Vidokle, Brian Kuan Wood eds. / e-flux & Verso 2017 / $29.95

480 p, bw, pb, English

Leading artists, theorists, and writers exhume the dystopian and utopian futures contained within the present.  Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice. In essays, poems, short stories, and plays, artists and theorists trace the negative collective that is the subject of contemporary life, in which art, the internet, and globalization have shed their utopian guises but persist as naked power, in the face of apocalyptic ecological disaster and against the claims of the social commons.

 

Texte zur Kunst 109: Art Without Rules?

Katharina Grosse & Yngve Holen eds. / Texte zur Kunst 2018 / $25

240 p, ills color & bw, pb, English & German

The March issue of Texte zur Kunst considers art’s relation to rules — or rather, the exceptions to them that art and its agents seem to claim. How can we speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies (class, gender, race, sexuality) continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulations? Therefore, in this issue we ask: by what rules does the art world play, and how are transgressions made visible/invisible therein?

 

White Paper: On Land, Law, and the Imaginary

Adelita Husni-Bey / Valiz with Beirut, Berlin; Casco, Utrecht; CA2M, Madrid 2017 / Graham Funded / $19

88 p, ills color & bw, pb, English

Conceived as an exploratory collection of materials, the content of this book revolves around the relationship that artist Adelita Husni-Bey explored between legislation, notions of property, and agency vis-à-vis the right to housing in Egypt, the Netherlands, and Spain. Each chapter presents itself as a reflection of the themes: Land, Law, Imaginary, that range from art historical perspectives to narrative fiction, collages and field-work notes. As such the book’s structure speaks to the project’s unfolding in time and its presence in radically distinct contexts, while also chronicling the multi-disciplinary approach and the wide range of formats and methodologies the project has brought to great effect.

& back in stock:

 

Absurd Thinking: Between Art and Design

Allan Wexler / Lars Müller 2017 / Graham Funded / $50

296 p, ills color & bw, hb, English

This book features projects, developed during the artist Allan Wexler’s forty-five-year career, which mediate the gap between fine and applied art using the mediums of architecture, sculpture, photography, painting, and drawing. Wexler's production can be broadly described as tactile poetry composed by re-framing the ordinary with the intention of sustaining a narrative about landscape, nature, and the built environment that highlights the intriguing and surprising characteristics latent in the elements and rituals that pervade daily life. His work demonstrates a commitment to re-evaluating basic assumptions about our relationship to the built and natural environments. Organized thematically across four categories―abstraction, landscape, private space, and public places―this publication is a richly illustrated cross section of Wexler’s multi-scale, multi-media work, featuring his own writings, narratives, and reflections.

 

Counter Signals 1: Militant Print / A Form Oriented Towards its Own Circulation

Jack Henrie Fisher ed. / Other Forms 2016 / $12

184 p, ills bw, pb, English

Counter Signals is a bi-annual journal addressing, in variable iterations, different aspects of the intersection of design, media, and politics. The first issue — Militant Print / A Form Oriented to Its Own Circulation — documents and theorizes forms of militant aesthetics in the history of self-organized print publishing, among other things. The issue includes contributions from Mladen Dolar, Katharina Stadler, Thomas Fisher, Emma Holmes, Danielle Aubert, Mary Ikoniadou, T’ai Smith, Lucy Mulroney, Eirik Steinhoff, Nasrin Himada and Denise Ferreira da Silva, Léo Favier, Nicolás Pradilla, Alan Smart, Nasrin Tabatabai and Babak Afrassiabi, Josh Macphee, and Lewis Mumford.

 

Counter Signals 2: Hieroglyphs of the anti-commodity

Jack Henrie Fisher ed. / Other Forms 2017 / $12

184 p, ills bw, pb, English

The second issue of Counter Signals — Hieroglyphs of the anti-commodity — documents and theorizes forms of militant aesthetics in the histories of art, labor, and typography, among other things. The issue includes contributions from Alan Moore, Chris Reeves, Lucy Mulroney, T’ai Smith, Lisa Vinebaum, Eirik Steinhoff, Nane Diehl, Jennifer Scappettone, Francesco Marullo, John A. Tyson, David Bennewith, Charlotte Taillet and Joel Colover, Josh MacPhee, Christopher Burke, Chris Lee, Tom Fisher, Alexander Negrelli, Nellie Kluz, Juliette Cezzar, TXT-books, and Bertolt Brecht.

 

Making Room: Cultural Production in Occupied Spaces

Alan Moore & Alan Smart eds. / Other Forms & The Journal of Aesthetics and Protest 2015 / $20

358 p, ills bw, pb, English

Making Room: Cultural Production in Occupied Spaces is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography, and interviews with artists, theorists and activists involved in struggles over urban space and creative production in the city. Focused primarily on the European context, its international relations and connection, this diverse collection of material is organized into sections by country so as to highlight the contrast between different voices and frames of reference. While many of these voices assert accounts of a cohesive, international squatter movement, or are committed to specific political projects, the anthology, when taken as a whole, tells a more complex story about constellations of movements and practices, intensely engaged with local conditions, that have developed — sometimes independently, sometimes in dialog with one another — as people have struggled to survive, express themselves, carve out zones of autonomy and resistance, and push back against the dominance of capitalism in the city.

 

Take Shape #1 Loft

Nolan Boomer, Cole Cataneo & Julia Goodman eds./ Take Shape 2017 / $18

80 p, ills risograph duotone, pb with color insert, English

Take Shape is a new publication charting the waters of architectural, legal, and political thinking. Its first issue takes up the topic of industrial reuse, with a focus on lofts. Lofts—residential spaces created from former commercial and manufacturing space—provide affordable housing and often serve as a respite from the profit-driven real estate market. Simultaneously, they can be co-opted by property developers and local officials to justify rising rents and increased policing in newly “safe,” “artistic,” and desirable neighborhoods. In this issue, we present all of these factors side by side, seeing them not as contradictions, but as essential components of how such spaces function.

 

3/6/18

New & back in stock:

The Arsenal of Exclusion & Inclusion

Tobias Armborst, Daniel D’Oca, Georgeen Theodore / Actor 2017 / Graham Funded / $49.95

480 p, ills color, hb with foldout map, English

Who gets to be where? The Arsenal of Exclusion & Inclusion examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which more people have access to more places. With contributions from over fifty architects, planners, geographers, historians, and journalists, The Arsenal offers a wide-ranging view of the forces that shape our cities.

 

 

Forms of Aid: Architectures of Humanitarian Space

Benedict Couette & Marlisa Wise / Birkhäuser 2017  / Graham Funded / $59.95

192 p, ills color & bw, hb, English

The book highlights the architectural consequences of humanitarian actions on the basis of three case studies in Port-au-Prince, the West Bank, and Nairobi. Twelve projects are analyzed in terms of typology and construction. The authors investigate the far-reaching effects of such architectural aid and supply architects, town planners, and NGOs with useful advice for future planning and design.

 

Four Times Through the Labyrinth

Olaf Nicolai & Jan Wenzel / Rollo Press & Spector Books 2012 / $19

320 p, ills color & bw, pb, English

This book enlarges the traditional catalog of labyrinths "so much and so well, being itself labyrinthine,” remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai’s work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.

 

In the Wake: On Blackness and Being

Christina Sharpe / Duke University Press 2016 / $22.95

192 p, ills color & bw, English

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

 

Keep Walking Intently: The Ambulatory Art of the Surrealists, the Situationist International, and Fluxus

Lori Waxman / Sternberg Press 2018 / Graham Funded / $29

292 p, ills color & bw, pb, English

Keep Walking Intently by Lori Waxman reveals the radical potential that walking holds for us all by tracing the meandering and peculiar footsteps of avant-garde artists as they moved through the city, encountering the marvelous, studying the environment, and re-enchanting the banal.

Please join us for a series of ambulatory performances at 6pm on March 19 for a Book Launch of Waxman's new Graham-funded book just out from Sternberg Press, Berlin and designed by Zak Group Office.

 

New Geographies 09: Posthuman

Mario Gomez Luque & Ghazal Jafari eds. / Havard GSD & Actar 2018 / Graham Funded / $29.95

208 p, ills color & bw, pb, English

New Geographies 09 investigates the urban landscapes shaping the posthuman geographies of the early 21st century, fostering a wide-ranging debate about both the potentialities and challenges for design to engage with the complex spatialities, more-than-human ecologies, and diverse forms and habits of life of a post-anthropocentric world.

 

Sifting the Trash: A History of Design Criticism

Alice Twemlow / MIT Press 2017 / Graham Funded / $34.95

312 p, ills color & bw, hb, English

Product design criticism operates at the very brink of the landfill site, salvaging some products with praise but consigning others to its depths through condemnation or indifference. When a designed product's usefulness is past, the public happily discards it to make room for the next new thing. Criticism rarely deals with how a product might be used, or not used, over time; it is more likely to play the enabler, encouraging our addiction to consumption. With Sifting the Trash, Alice Twemlow offers an especially timely reexamination of the history of product design criticism through the metaphors and actualities of the product as imminent junk and the consumer as junkie.

 

2/24/2018

New releases in stock:

Automatic Architecture: Motivating Form After Modernism

Sean Keller / Chicago Press 2018 / Graham Funded / $45

208 p, ills bw, hb, English

In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. By focusing on design methods, and by examining evidence at a range of scales—from institutions to individual buildings—Automatic Architecture offers an alternative to narratives of this period that have presented postmodernism as a question of style, as the methods and techniques traced here have been more deeply consequential than the many stylistic shifts of the past half century.

 

Building Access: Universal Design and the Politics of Disability

Aime Hamraie / Minnesota Press 2017 / Graham Funded / $30

352 p, ills bw, pb, English

Building Access investigates twentieth-century strategies for designing the world with disability in mind. Illustrated with a wealth of rare archival materials, this book brings together scientific, social, and political histories in what is not only the pioneering critical account of Universal Design but also a deep engagement with the politics of knowing, making, and belonging in twentieth-century United States.

 

Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design

Zeynep Çelik Alexander / Chicago Press 2017 / Graham Funded / $55

336 p, ills color & bw, hb, English

Is all knowledge the product of thought? Or can the physical interactions of the body with the world produce reliable knowledge? In late-nineteenth-century Europe, scientists, artists, and other intellectuals theorized the latter as a new way of knowing, which Zeynep Çelik Alexander here dubs “kinaesthetic knowing.” In this book, Alexander offers the first major intellectual history of kinaesthetic knowing and its influence on the formation of modern art and architecture and especially modern design education.

 

2/22/18

New releases in stock:

Biography Of A Publishing House: Gaberbocchus Press 1948-2013

Walter van de Star / Huis Clos 2017 / $45.50

160 p, ills color & bw, pb, Dutch/English

In 1948 Stefan and Franciszka Themerson founded the Gaberbocchus Press in London. Over a period of three decades this publishing house went on to produce over 60 titles, and although the couple’s work clearly has roots in the international avant-garde of the interbellum, they maintained a high level of independence in all of their activities. Their publications are characterized by improvised techniques and materials, as well as by experiments with word and image. Eccentric, original, and expressive of the identity of its contents, each book contains a distinct combination of text, image, design, materials. This volume pays tribute to the rare phenomenon that was Gaberbocchus.

 

Design Thinking in a Digital Age

Peter G. Rowe / Sternberg Press & Harvard GSD 2017 / $14

128 p, bw, pb, English

In 1987, Peter G. Rowe published his pioneering book Design Thinking. In it, he interrogated conceptual approaches to design in terms of both process and form. Thirty years later, in a lecture at the Harvard University Graduate School of Design, Rowe offered a reappraisal of his earlier work, describing ways in which the capacities of the digital age have changed the way we perceive and understand creative problem solving in architectural design. In this new account of design thinking based on that memorable talk, Rowe charges that ideas about the “precision” and “incompleteness” of information have become exaggerated and made more manifest. He dives into the crucial role of schema theory and the heuristics that flow from it, but concedes that the “ineffable characteristics of design problems and of design thinking also appear to have remained.”

Design Thinking in a Digital Age is the fifth title in the book series The Incidents, based on uncommon events at the Harvard University Graduate School of Design from 1936 to tomorrow.

Draw It with Your Eyes Closed: the Art of the Art Assignment

Paper Monument & n+1 2012 / $16

128 p, ills bw, pb, English

This book examines the complex and often unruly state of art education by focusing on its signature pedagogical form, the assignment. Bringing together hundreds of assignments, anti-assignments, and artworks from both teachers and students from a broad range of institutions including: John Baldessari, William Pope.L, Mira Schor, Rochelle Feinstein, Bob Nickas, Chris Kraus, Liam Gillick, Amy Sillman, James Benning, and Michelle Grabner; Paper Monument hopes it simultaneously serves as an archive and an instigation, a teaching tool and a question mark, a critique and a tribute.

Guy De Cointet - The Complete Plays

Hugues Decointet, François Piron, Marilou Thiébault eds. / Paraguay Press 2017 / $56.50

448 p, ills color & bw, hb, English

French-born artist Guy de Cointet is known for his text and sculptural works, which were often combined as props and stage sets in theatrical performance pieces. This compendium of his plays builds on publications from the last ten years, the result of collaborations between critics, researchers, and the Guy de Cointet Society. The position of his oeuvre today is vastly different in comparison to a decade ago, having emerged from obscurity, while a careful reading of the notebooks he kept throughout the 1970s until his death in 1983 has spurred new insights. Included is a wealth of archival material, such as photos of performances and rehearsals, invitation cards and press articles.

I Like Your Work: Art and Etiquette

Paper Monument & n+1 2009 / $10

568 p, ills bw, pb, English

Paper Monument’s first book, I Like Your Work: Art and Etiquette, features contributions from 38 artists, critics, curators, and dealers on the sometimes serious and sometimes ridiculous topic of manners in the art world. The book asks: what is the place of etiquette in art? How do social mores establish our communities, mediate our critical discussions, and frame our experience of art? If we were to transcribe these unspoken laws, what would they look like? What happens when the rules are broken?

Macguffin 5: The Cabinet

Kirsten Algera & Ernst van der Hoeven eds. / Macguffin 2017 / $22.50

232 p, ills color & bw, pb, English

MacGuffin Magazine N° 5 opens up the curious life of the cabinet, where intimate stories are hidden away, kept and inevitably shown. Revealing enlightened DIY shelves, immaculate celebrity closets, whimsical cocktail bars, socialist kiosks, classic cubes and cabinets that beat you at a game of chess. Featuring Sam Jacob, Emily King, Les Lalanne, Ettore Sottsass, Slothouber & Graatsma, Wolfgang Tillmans, Yvonne Dröge Wendel, and many more.

No Style: Ernst Keller 1891-1968 Teacher And Pioneer Of The Swiss Style

Peter Vetter, Katharina Leuenberger, Meike Eckstein / Triest Verlag 2018 / $70

254 p, ills color & bw, pb, English

Graphic designer Ernst Keller taught at the School of Arts and Crafts in Zürich from 1918 to 1956. Frequently referred to as the “Father of the Swiss Style”, his many students established this particular current in graphic design and went on to make it world famous. His graduates also included protagonists of the New Graphic Design movement. This book presents Keller’s biography and extensive collection of work, including previously unknown projects. His fundamental contribution to the development of innovative, non-academic didactic principles in design education are also described. Keller’s teaching is considered one of the world’s first systematic programmes for graphic design.

Robert Irwin: Site Determined

Matthew Simms / Graham Funded / Prestel 2018 / $45

160 p, ills color & bw, pb, English

This book explores four decades of Robert Irwin’s outdoor environment projects through his drawings and architectural models. Over the course of a storied career, Robert Irwin has come to regard art as site determined, or something that works in and responds to its surroundings. This book opens with his projects on college campuses between 1975 and 1982. These are followed by Irwin’s major, yet never realized, commission for the Miami International Airport, where he proposed to transform the structure, parking lots, and roadways into a sequence of aesthetic and practical spaces that engaged directly with the South Florida environment. It then turns to one of Irwin’s most celebrated works, the Central Garden at the J. Paul Getty Museum in Los Angeles. Finally, the book takes readers to the Chinati Foundation in Marfa, Texas, and one of Irwin’s most ambitious works to date—a monumental artwork that brilliantly connects viewers to the land and sky.

The Serving Library Annual 2017/18

Stuart Bertolotti-Bailey, Angie Keefer, Lauren Mackler, David Reinfurt eds. /Roma Publications 2017 / $40

200 p, ills color & bw, pb, English

The Serving Library Annual comprises a number of individual “Bulletins” organized around a theme for an international audience of designers, artists, writers, and researchers. Newly published by ROMA Publications in a yearly format, this inaugural issue is realized in collaboration with Public Fiction, a journal and exhibition-maker based in Los Angeles. It deals with acts of civil disobedience and other forms of resistance, particularly in view of the relationship between entertainment and power. Contributors include Hilton Als, Tauba Auerbach, Anne Carson, Mark Leckey, Adrian Piper, Frances Stark, and Martine Syms.

Social Medium: Artists Writing 2000-2015

Jennifer Liese ed. / Paper Monument & n+1 2016 / $28

544 p, bw, pb, English

Social Medium: Artists Writing, 2000–2015 is the first major anthology of 21st-century artist writing, including seventy-five groundbreaking texts by artist-writers from around the world. The works gathered here—essays, criticism, manifestos, fiction, diaries, scripts, blog posts, even tweets—chart a complex era in the art world and the world at large, weighing in on the exigencies of our times in unexpected and inventive ways. Editor Jennifer Liese (director of the Writing Center at Rhode Island School of Design, former managing editor of Artforum) provides an introduction and a clear structure for understanding the contributions of key figures such as Jimmie Durham, Hito Steyerl, Mike Kelley, Adam Pendleton, Ai Weiwei, Raqs Media Collective, Frances Stark, and Tania Bruguera.

And back in stock:

Against the Anthropocene: Visual Culture and Environment Today

T.J. Demos / Sternberg 2017 / $26

96 p, color & bw, pb, English

Against the Anthropocene scrutinizes the proposal that we are in a human-driven epoch regarding climate change. In this slender but dense volume, cultural theorist T.J. Demos analyzes the biases within contemporary visual culture—popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects—demonstrating that it does not merely describe a geologic period, but actively supports the neoliberal financialization of nature, anthropocentric political economy, and endorsement of geo-engineering as a preferred method of approaching climate change. To develop creative alternatives, Demos argues we need to carefully consider the underlying motives the Anthropocene thesis.

Words, Books, and the Spaces They Inhabit

Mari Shaw / Sternberg Press 2017 / $22

100 p, ills color & bw. pb, English

Words, Books, and the Spaces They Inhabit is the first of Mari Shaw’s series The Noble Art of Collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it. What was lost when the scrolls in the ancient library of Alexandria were destroyed? How did Catherine the Great’s collecting change the way we think? How do Jeff Bezos and Amazon.com expand our appreciation of books as objects? Though the ways we communicate live and vary, history has been created, recorded, and preserved in writing. Words and the spaces that contain them are crucial to an empathetic understanding of our world.

 

2/17/18:

New releases in stock:

THIRD Magazine,  Issue 1

Allison Littrell ed. / THIRD 2018 / $20

142 p, ills color & bw with inserts, English

THIRD aims to denaturalize the rote narratives through which our society views art made by Others. For Issue #1, we found artists who tell stories from the perspective of those who were not on the winning side of history, but whose art flourished despite attempts to silence it. Issue #1 features: Martine Syms, Kandis Williams, Ruben Rodriguez, Marcel Alcalá, Peter Shire, Sara Grace Powell, Brandon Landers, Molly Matalon, Douglas Kearney, Adjustments Agency and more.

Each copy of THIRD Issue #1 includes two limited edition inserts: a #BrownUpYourFeed activity pamphlet by Mandy Harris Williams and an 11x17" art print by Marco Kane Braunschweiler.

 

Vestoj 8: On Authenticity

Anja Aronowsky Cronberg ed. / Vestoj 2017 / $36

240 p, ills color & bw, English

In consumer capitalism authenticity has taken on a supreme importance: in fashion it’s the holy grail. Terms like ‘artisanal,’ ‘heritage,’ ‘craftsmanship’ and ‘storytelling’ have become buzzwords, and conglomerates are fond of referring to their offices as ‘campus’ and co-workers as ‘family.’ But what are we getting at when associating these terms with fashion?

Issue 8 looks at our relationship to dress and appearance to reflect on questions like, Is there such a thing as a ‘real me’ or a ‘genuine self’? How does one live an authentic life? And is it possible to do so in fashion, an environment so characterized by the mood of the moment, so dependent on chameleon-like behavior. Are fashion and authenticity really antithetical, and if so, what can be learnt from looking at the relationship between the two?

 

2/14/18:

New release in stock:

Signals from the Periphery

Elisabeth Klement & Laura Pappa eds. / Estonian Academy of Arts Press 2017 / $20

174 p, ills color & bw, pb with accompanying fanzine, English

Signals from the Periphery brings together urgent developments in graphic design with a focus on works that surpass traditional forms and media of graphic design. All contributions in the book are authored by graphic designers or people whose practice is in one way or another linked to the discipline. Some of the topics covered in the book include education, self-organization, work, technology, storytelling and much more.

Back in stock:

In Defense of Housing

David Madden & Peter Marcuse / Verso Books 2016 / $26.95

240 p, bw, pb, English

In every major city in the world there is a housing crisis. How did this happen and what can we do about it? In Defense of Housing is the definitive statement on this crisis from leading urban planner Peter Marcuse and sociologist David Madden. They look at the causes and consequences of the housing problem and detail the need for progressive alternatives. The housing crisis cannot be solved by minor policy shifts, they argue. Rather, the housing crisis has deep political and economic roots—and therefore requires a radical response.

 

2/8/2018:

New releases in stock:

Atlas of Forms

Eric Tabuchi / Poursuite Editions 2017 / $52

256 p, ills color & bw, pb, English

Atlas of Forms is a large book of images that documents every kind of shape found in architecture of all types. Within its 256 pages, are nearly 1500 photographs patiently collected from the Internet and classified according to the rudimentary criteria of geometry (circle, square, triangle, polygon) and their current state (construction site, completed, abandoned or in ruins). These categories mix and mingle without interruption.

Opening with a series of spherical structures, like small worlds under construction, and concluding with an image of an overturned bunker, this book proposes a long meandering, a sort of hypnotic chant with its recurrences and variants, its repetitions and ruptures, its harmonies and dissonances. More than a volume on architecture or photography, Atlas of Forms is primarily an elegy to diversity, every forms of diversity.

 

CURA. 26

Ilaria Marotta and Andrea Baccin eds. / CURA 2017 / $12

240 p, ills color & bw, pb, English

In the issue a common thread connects the different sections as a sort of fil rouge: the “machine” is interpreted either as a possibility or as a threat, as a mechanism that makes up our present, as a device for reading the past or as a perspective for a future to come. Artists explore this theme in a multitude of ways, combining it with their own vision of human identity, natural environment and social relations.

This issue includes works by Todd von Ammon, Donatien Grau, Cecilia Alemani, Anthony Huberman, Michael Asher, Vincent Honoré, Ben Vickers, Pakui Hardware, Adriana Blidaru, Elizabeth Neilson, Margot Norton, Nicolas Deshayes, Piper Marshall, Liam Considine, Whitney Mallett, Arthur Fink, Loïc Le Gall and Frances Loefer.

 

HOW TO ACT?

La Criée Centre for Contemporary Art ed. / Onamotopee 2014 / $ 36

504 p, ills color & bw, pb, English

HOW TO ACT? is a dynamic extension of the A.C.T. Democ[k]racy project. It post-produces the exhibitions, conferences and residences fostering exchange of thought, inventing and representing the democratic changes of Europe in a nearby future through pan-European creative exchange. Living documentation consisting of photographs, critical and poetic texts, political cartoons and more, open up the project’s outcomes for artistic and civil acts to catalyzing inventive and collaborative democratic building, together with united art actors who are pushing for European action on the fringes of the art world in order to drum up a heartbeat of lively European cultural exchange.

Contributing, among other participants: Anca Simionca (RO), IRWIN (SL), Marko Stamenković (RS), Raša Todosijević (RS), Dan Perjovschi (RO), Charlie Jeffery (EN), Jeroen Doorenweerd (NL), Paul de Bruyne (NL), Joëlle Zask (FR), Julien Berthier (FR) and Larys Frogier (FR).

 

Library Paper, No. 8 2ND EDITION

Catalogue 2017 / $15

60 p, ills color & bw, pb, packet with bandana, English

Issue No.8 includes work by Alex Petty, Alex Shoukas, Alexis Gross, Anna Ottum, Boot Boyz Biz, B. Thom Stevenson, Casper Kenty, Chris Glickman, Chris Harnan, Chris Hound, Cody James, Collin Fletcher, Crowns & Owls, Deniro Elliot, Deutsche & Japaner, Dinamo, Doug Richard, Ed Phillips, Eric Elms, Eric Gilkey, Fahim Kassam, Gillian Steiner, Gustovo Eandi, Henrik Purienne, Jamie Humphrey, Knowlege Editions, Jason Nocito, Jerry Hsu, Jason Revok, Lqqk Studio, Michael Worful, Peter Sutherland, Ryan Willms, Shawn Carney, Super Impose Studio, Todd Jordon, The Kingsboro Press, Zeitype. ALSO Geordie Wood, Eric Hu & Braindead.

Second Edition of 100, New Cover Images by Geordie Wood.

 

mono.kultur #44

Trevor Paglan / mono.kultur 2017 / $7

24p, ills color, pb, English

Issue #44 of mono.kultur "THE EDGE OF TOMORORW" might just be our most adventurous yet: traveling from the deserts of New Mexico to the exclusion zone in Fukushima, from satellite orbits in space to the inner realms of Artificial Intelligence, our conversation with American artist Trevor Paglen is as expansive as his work is ambitious.

 

Pasolini’s Bodies and Places

Michele Mancini and Giuseppe Perrella / Edition Patrick Frey 2017 / $87

340 p, ills color & bw, hb, English, Italian

Entitled Pasolini’s Bodies and Places and translated by Ann Goldstein and Jobst Grapow, this new quasi-facsimiled edition in English is a first step towards an exploration of the original. Mancini and Perrella introduce their compilation of quoted images with a compilation of texts by Pasolini where he describes his own research of bodies and places for his films. These text were unpublished prior to Corpi e Luoghi. With Stephen Sartarelli’s translations in the present edition they now are fully available in English. 

The book contains also the original text in Italian / contiene testo italiano.

 

Vivienne Westwood, Andreas Kronthaler, Juergen Teller

InOtherWords 2017 / $36

256 p, ills color, pb, English

The book Vivienne Westwood, Andreas Kronthaler, Juergen Teller celebrates and documents one of fashion’s most iconic collaborations, spanning a period of more than twenty years. Featuring pivotal campaigns, portraits, political satire, editorials and art projects created between 1993 and 2017, the book has been produced in close collaboration with Juergen Teller, with many of the images published for the first time. The book avoids chronology, instead focusing on the power of the double page spread, highlighting the contrasts in this rich and eclectic body of work. The result is 256 pages of confrontational image combinations, arranged into a spontaneous flow.

 

WHO TOLD YOU SO?! - THE COLLECTIVE STORY VS. THE INDIVIDUAL NARRATIVE

Freek Lomme ed. / Onomatopee 2012 / $43

332 p, ills color & bw, pb (with inserts and extras), English

40 artists, 10 writers, 4 poets and some others. Only accountable to ourselves, Who told you so?! - The collective story vs. the individual narrative - challenges states of social ambivalence within various levels of cohesion: government, organization, scene and family. Trying to find new challenges and widening perspectives, often double-tongued as well as hiding a secret agenda, this project looks for deeper relations. Forty artists, ten writers and four poets use their astute authors’ skills to offer a thought-provoking ambiguity. This bundle will offer conformists an insight into the restrictions of freedom they are responsible for, will inspire freethinkers who feel they lack something and try to find a position, and it will provide recognition to those who feel oppressed.

 

2/6/2018:

New releases in stock:

The Funambulist No. 15: Clothing Politics #2

Leopold Lambert ed. / Graham Funded / The Funambulist 2018 / $14.75

59 p, ills color & bw, pb, English

Clothing Politics #2 is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn. Ryme Seferdjeli (“The Veil in Colonial Algeria”), Wendy Matsumura (“A (Hi)story of Okinawan Clothes”), Alex Shams (“Afghan Miniskirts and the ‘War on Terror’”), and Venida Devenida (“Politics of the Bra”) link histories of settler colonialism, imperialism, and misogyny with their operative inertia in contemporary realities; Eric Darnell Pritchard (“Overalls”) and Mukhtara Yusuf (“Clothing as Healing”) engage with different aspects of clothing in relation to Blackness; Hoda Katebi discusses her work on the various imperialist and capitalist politics deployed against the hijab; and Lucia Cuba (“Articulo 6”) introduces the sartorial embodiment she created to address the memory of the Peruvian Government’s violent campaign of forced sterilization of indigenous women in the early 2000s. Finally, the three student projects created respectively by Joy Marie Douglas (“Rebranded”), Moira Schneider (“Worn”), Julia Lao, Claudia Poh, and Estee Bruno (“Unparalleled”) propose a more operative embodiment of the politics of social stigmatization, the norm, and ableism. As always, the issue also features guest columns addressing world political struggles against state violence and colonialism in Chiapas (Ruperta Bautista Vázquez), Tahiti-Nui (J. Vehia Wheeler), and West Africa (Bruno Boudiguet).

 

Francis Kéré: Serpentine Pavilion 2017

Melissa Blanchflower, Joseph Constable, eds. / Graham Funded / Koenig 2018 / $29.95

160 p, ills color & bw, pb, English

This publication documents 2017’s Serpentine Pavilion by Berlin-based architect Francis Kéré (born 1965). Inspired by the tree that serves as a central meeting point in his home town of Gando, Burkina Faso, Kéré designed a responsive Pavilion that connects visitors to nature. With text by David Adjaye, Jeanne Gang, Lesley Lokko, Francis Kéré, Kerry James Marshall, Mohsen Mostafavi, Hans Ulrich Obrist, Yana Peel.

 

Made Up: Design's Fictions

Tim Durfee, Mimi Zeiger / Actar D 2018 / $16

108 p, ills bw, pb, English

Through essays, interviews, and narratives by Bruce Sterling, Fiona Raby, Sam Jacob and other significant voices in the field, this volume questions the initial discourses around "design fiction"--a broad category of critical design that includes overlapping interests in science fiction, world building, speculation, and futuring. Made Up: Design's Fictions advances contemporary analysis and enactment of narrative and speculation as an important part of practice today.

Essays, interviews, and narratives by: Julian Bleecker, Benjamin H. Bratton, Anne Burdick, Emmet Byrne, Stuart Candy, Fiona Raby, Tim Durfee, Sam Jacob, Norman M. Klein, Peter Lunenfeld, Geo Manaugh, Tom Marble, m-a-u-s-e-r, Metahaven, China Miéville, Keith Mitnick, MOS, Susanna Schouweiler, Bruce Sterling, Mimi Zeiger. Co-published with Art Center Graduate Press.

 

Maxime Ballesteros: Les Absents

Caroline Gaimari, John Isaac / Hatje Cantz 2018 / $55

272 p, ills color & bw, hb, English

French photographer Maxime Ballesteros captures candid moments in a world where sexual freedom and exploration is celebrated and commonplace. Many of his analog images provide glimpses of only a fraction of a scene—a pair of legs in suspenders, or the intimate proximity of bodies in a bath—nonchalantly shot from the hip, as he follows his protagonists to wild parties, into private apartments, to the early morning beach. Little wonder that fashion and lifestyle magazines such as Purple, Numéro, Vice and 032c scramble to recruit the photographer. His debut book, Maxime Ballesteros: Les Absents, gives readers a unique view of the gritty, flawed, raw and sexualized world that exists around us.

 

Mies van der Rohe: Montage, Collage

Andreas Beitin, Wolf Eiermann, Brigitte Franzen, eds / Koenig Books 2017 / $55

264 p, ills color & bw, hb, English

Between 1910 and 1965, influenced by Dada, Constructivism and De Stijl, the German-American modernist polymath Mies van der Rohe (1886–1969) created numerous montages and collages that endure as fascinating illustrations of the design principles of his architecture. However, these works—most of them large-format—are much more than sketches merely intended to assist his creative process as an architect. They are works of art in their own right that demonstrate van der Rohe’s compositional vision in its purest form. Abrupt changes of viewpoint, freedom from perspective, place and time, montages of found elements and a focus on mixed media places him in the same context as his contemporaries Kurt Schwitters, Theo van Doesburg, Hans Richter and László Moholy-Nagy. This volume celebrates his lesser-known accomplishments in this medium.Text by Barry Bergdoll, Lena Büchel, Dietrich Neumann, Holger Otten, Lutz Robbers, Martino Stierli, Adrian Sudhalter.

 

Size Matters! (De)Growth of the 21st Century Art Museum

Beatrix Ruf, John Slyce, eds. / Koenig Books 2018 / $17.50

224 p, ills color & bw, pb, English

The annual Verbier Art Summit provides an alternative approach to fostering and shaping a global dialogue on the visual arts. Verbier | Art Untold organizes the summit in partnership with a yearly rotating art institution. This book is the outcome of the 2017 edition of the summit, organized in cooperation with museum director Beautrix Ruf and her curatorial team at the Stedelijk Museum Amsterdam. Ruf chose the theme of the 2017 iteration, based on her personal experiences of institutions and their increase in scale, but also about issues that every museum is faced with, struggles with, reflects on how to address and considers in a self-critical way. Other contributors to the volume include Dave Beech, Daniel Birnbaum, Benjamin Bratton, Mark Fisher, Cissie Fu, Rem Koolhaas, Christopher Kulendran Thomas, Tobias Madison, Prince Constantijn of the Netherlands, Tino Sehgal, Nicholas Serota, Anneliek Sijbrandij and John Slyce.

 

Stan Brakhage: Metaphors on Vision

P. Adams Sitney ed. / Anthology Film Archives & Light Industry 2017 / $40

212 p, bw, pb, English

“Imagine an eye unruled by man-made laws of perspective … an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of ‘Green?’” So begins Stan Brakhage’s (1933–2003) classic Metaphors on Vision. Originally published in 1963 by Jonas Mekas as a special issue of Film Culture, and designed by George Maciunas, it stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. Long out of print, the volume is now available in this definitive edition from Anthology Film Archives and Light Industry, featuring Brakhage’s complete text in its distinctive original layout, as well as annotations by scholar P. Adams Sitney.

 

Where to Score

Jordan Stein, Jason Fulford, eds. / J&L Books & Kadist 2018 / $6.99

56 p, ills bw, pb, English

San Francisco Oraclewas a countercultural newspaper published in the city’s bustling Haight Ashbury neighborhood from September 1966 to February 1968, bookending the iconic “Summer of Love.” In 12 issues combining poetry, spirituality and speculation with revolutionary rainbow inking effects, the Oraclereached well beyond the Bay Area and spoke to a radical new American ethos.

Where to Score presents not the candy-colored prophecies of various gurus, but a quieter, more revealing corner of the paper—its classified section. There, surrounded by advertisements for drummers, carpenters and head shops, are the desperate pleas of parents seeking wayward children. “Will you trust me enough to call collect and let me know you’re alright?” Elsewhere, beat poet Michael McClure needs a harp and the Sexual Freedom League is hungry for recruits. The diminutive entries speak volumes to the times, showcasing an honest, immediate and lesser-known chapter in the era’s history.

Workac: We'll Get There When We Cross That Bridge

Amale Andraos & Dan Wood / Monacelli Press 2017 / $50

360 p, ills color & bw, pb, English

This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today.

WORKac: We'll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm's career over the course of three Five-Year Plans ( Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice.

 

2/2/2018

New releases in stock:

Armin Linke: The Appearance of That Which Cannot Be Seen

Linda van Deursen, Jan Kiesswetter, Alina Schmuch, eds. / Graham Funded / Spector Books 2018 / $36

403 p, ills color & bw, pb, English

For more than 20 years, German photographer and filmmaker Armin Linke (born 1966) has been photographing the effects of globalization, the wholesale transformation of infrastructure and the networking of the post-industrial society via digital information and communication technologies. For The Appearance of That Which Cannot Be Seen, Linke invited scientists, philosophers and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke’s photos to a variety of different readings.

*

2/1/2018

New releases in stock:

Superhumanity: Design of the Self

Nick Axel, Beatriz Colomina, Nikolaus Hirsch, Anton Vidokle, and Mark Wigley, eds. / Graham Funded / Minnesota Press 2018 / $35

448 p, ills bw, pb, English

A wide-ranging and challenging exploration of design and how it engages with the self, Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, probing the idea that we are and always have been continuously reshaped by the artifacts we shape.

 

The Noise Of Being

Sonic Acts Press 2017 / $26

212 p, ills color & bw, pb, English

What does it mean to be human, to be part of a world that is an ever-changing network? Published on the occasion of the 2017 Sonic Acts Festival, this book endeavours to piece together the dissonance produced by the participants and spectators of the festival, whether at the conference or in the museums, clubs, and cinemas. This is the noise of technology, capitalism, hackers, bots, communication breakdowns, humanity, clouds, and so much more. With essays by Nina Power, Louis Henderson, Daniel Rourke, and Rick Dolphijn, interviews with Ytasha Womack, Jennifer Gabrys, Eyal Weizman, and Metahaven, plus contributions by Joey Holder, Ingrid Burrington, and more.

 

Jenny Holzer. Belligerent

Joshua Craze / Ivorypress 2017 / $71.50

7 posters, ills bw, box, English

‘Belligerent’ comprises an unpublished work by American neo-conceptual artist Jenny Holzer, commissioned by Ivorypress as the latest instalment in an ongoing series. While the book shares the same format as the others in the collection, a closer look reveals that this is not a traditional book, but a box with a magnetic closure. The box opens to reveal seven original works by Holzer that unfold into 60 x 79 cm posters, which can be kept in the box or framed and displayed. Her working material derives from redacted reports of the abuse of detainees in American military prisons. Holzer’s precise, cutting divulgences dare the reader to look. With an introduction by Joshua Craze.

 

Radical Utopias - Archizoom, Buti, 9999, Pettena, Superstudio, Ufo, Zziggurat

Pino Brugellis ed./ Quodlibet 2017 / $56

352 p, ills color & bw, pb, English

This volume is published in conjunction with an exhibition presenting the radical architects and architect groups who emerged in Florence in the late 1960s. It was a period characterised by crisis in the city, which extended to the wider political and social tension occurring throughout Italy. The related writings, drawings, and projects produced by these seven actors – Archizoom, Remo Buti, 9999, Gianni Pettena, Superstudio, UFO, and Zziggurat – have influenced generations of architects, historians, designers, and artists around the world. For the first time, all of their theoretical and visual work has been compiled in a single publication, giving renewed insight into their movement.

 

Richard Hollis: About Graphic Design (Reprint)

Richard Hollis / Occasional Papers 2012 / $25

296 p, ills bw, pb, English

Featuring a comprehensive selection of writings by renowned graphic designer, graphic design theorist and historian Richard Hollis, this densely illustrated book includes a wide array of interviews, essays, letters, articles and lectures. It covers virtually everything regarding the field and history of graphic design, from Soviet revolutionary posters and designers in Nazi Germany to Penguin book covers, New 'New' Typography, Max Bill and Nicolete Gray. Various texts on Robin Fior, Theo Ballmer, Uwe Loesch and Pierre Faucheux, among many others, add depth to this very thoroughly researched story of graphic design.

 

Volume 51: Augmented Technology

Arjen Oosterman ed. / Archis 2017 / $27

72 p, ills color & bw, pb, English

As recent technological advancement became more and more pervasive and sophisticated, its consequences became more dramatically evident. In this context, design takes on a new relevance, in organizing and managing spaces, individuals, relations and ultimately societies. But if this is clear, several questions have to be answered: Who is driving it, who are the participants, who are sitting around the table? Does spatial design currently have a say in this, and if not, how can it participate and intervene? Issue 51 comes in a new design by Irma Boom Office.

 

Monu 27: Small Urbanism

Board Publishers 2017 / $24

128 p, ills color & bw, pb, English

When it comes to urbanism, small things matter, and the various contributors to this issue illuminate this idea further in various ways. Liz Teston, for instance, captures the theme when she writes about the transient micro-urbanisms of protest architecture. Levi Bryant claims how we design things can make a real difference in our lives, both socially and physically. Our cities’ less visible infrastructure is exposed by Julian Oliver, reminding us of our dependence on a deeper physical reality, while Marco Casagrande shows how small-scale interventions can also serve as a design methodology, creating ripple effects and a transformation of the larger urban organism.

 

And back in stock:

The Form Of The Book Book *staff pick*

Sara De Bondt, Fraser Muggeridge ed. / Occasional Papers 2009 / $19

96 p, ills color & bw, pb, English

A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.

 

Caspar

Sebastian Cremers / Everyedition 2017 / $29

28 p, ills color, hb, English

Graphic designer Sebastian Cremers produces posters, books, and other illustrative or typographic work as part of Prill Vieceli Cremers, a three-person design studio established in 2001 and based in Zurich. In ‘Caspar’ he delivers a visual story about a true friendship. With a stripped-down style that employs only thick, colourful lines in red, blue, and green (and occasionally black) to animate the simple narrative, his forms nevertheless lend themselves to universal recognition. Whether describing gestures, emotions, sounds, energies, or physical things, the bold lines dance from one page to the next, weaving through and visualising the action of story from beginning to end.

 

Graham Foundation Announces Inaugural Fellows of New Fellowship Program:

Brendan Fernandes, Torkwase Dyson, Martine Syms, Mark Wasiuta, and David Hartt

The Graham Foundation is pleased to announce its inaugural Fellows as part of the organization’s new Graham Foundation Fellowship program: Brendan Fernandes, Torkwase Dyson, Martine Syms, Mark Wasiuta, and David Hartt. Integrating the Foundation’s grantmaking and exhibition programs, the new Fellowship provides monetary support for the development and production of new and challenging works and the opportunity to present these projects in an exhibition at the Foundation’s Madlener House galleries in Chicago. Artist David Hartt piloted the new program with his new body of work in the forest, which premiered at the Graham in the fall of 2017.

The Fellowship program extends the legacy of the Foundation’s first awards, made in 1957 and 1958. These initial fellowships provided a diverse group of practitioners a platform to pursue experimental ideas in the field, and they included alumni such as Pritzker Prize winning architects Balkrishna V. Doshi and Fumihiko Maki, designer Harry Bertoia, photographer Harry M. Callahan, sculptor Eduardo Chillida, experimental architect Frederick J. Kiesler, and painter Wilfredo Lam, among others. The 2018 Fellows will continue this tradition of exploring new perspectives on spatial practices and design culture.

“As with the very first Fellows of the Graham, this new Fellowship program provides crucial direct support to individuals to make new work possible,” said Graham Foundation Director Sarah Herda, “and creates an opportunity to share this work with new publics through our exhibition program at the Madlener House in Chicago.”

Brendan Fernandes
The Master and Form
Installation in Collaboration with Norman Kelley
January 25–April 7, 2018

Torkwase Dyson
Wynter-Wells Drawing School for Environmental Liberation
May 3–July 14, 2018

Martine Syms
Incense, Sweaters, and Ice
September–December, 2018

Mark Wasiuta
The Entenza Years: the Early History of the Graham Foundation, 1960–1971
March–July, 2019

David Hartt
in the forest

 

Application Deadline: February 25, 2018

The Graham Foundation is now accepting applications for the 2018 Grants to Organizations. Since 1956, the Graham Foundation has fostered the development and exchange of diverse and challenging ideas about architecture and its role in the arts, culture, and society.

The application for the organizational grant cycle is available online. Organizations with eligible projects are invited to apply for a Production and Presentation Grant for projects that begin after September 15, 2018.

For more information about our grant programs, to learn if a project is eligible for funding, and to access the application, please see our grant guidelines.

In 2017, the Graham Foundation awarded more than $413,000 for 42 projects by organizations from around the world. These grants provided direct support for the development and presentation of publications, exhibitions, films, and other public programs. You can browse these and other recently funded projects here.

 

Image: Gordon Matta-Clark working on Conical Intersect, 1975, Paris. Courtesy of the Estate of Gordon Matta-Clark. From the 2016 organizational grant to Bronx Museum of the Arts for the exhibition Gordon Matta-Clark: Anarchitect.

 

Each year the vision of the Graham Foundation to advance new ideas across the field of architecture is realized through our international grantmaking program and the public programs we produce at the Madlener House in Chicago.

In 2017 the Graham Foundation commissioned two original exhibitions at the Madlener House, produced a wide range of public programs, and the award of over $1M in new grants to individuals and organizations around the world.

Also, this year 96 diverse and boundary pushing projects funded by the Graham Foundation were realized in the form of exhibitions, publications, films, performances, research, and site-specific installations.

We are honored to share the compiled list of grantee work that came to fruition in 2017—please read on for select highlights and links to the full list of grantee projects.


Exhibition highlights include: Gordon Matta-Clark: Anarchitect at the Bronx Museum of the Arts, New York; Pierre Chareau: Modern Architecture and Design at the Jewish Museum, New York; Victoria Square Project by Rick Lowe at documenta 14, Kassel;  Incense, Sweaters, and Ice by Martine Syms, curated by Jocelyn Miller at the Museum of Modern Art, New York; and the Serpentine Pavilion 2017 by Francis Kéré at the Serpentine Galleries, London.

See the full list of exhibtions here.

Publication highlights include: FOLIO: Journal of African Architecture, edited by Lesley Lokko (GSA Imprints); Muriel Cooper (MIT Press) by David Reinfurt and Robert Wiesenberger; Cedric Price Works, 1952–2003 (Canadian Centre for Architecture and Architectural Association) by Samantha Hardingham; Architecture is All Over (Columbia Books on Architecture and the City) edited by Esther Choi and Marrikka Trotter; and Frank Lloyd Wright: Unpacking the Archive (The Museum of Modern Art) edited by Barry Bergdoll and Jennifer Gray.

See the full list of publications here.

Performance and event highlights include: Here Hear Chicago by Nick Cave and Jeanne Gang; Modern Living by Gerard & Kelly; and Black in Design 2017: Designing Resistance, Building Coalitions, a conference organized by Harvard University’s Graduate School of Design African American Student Union.

See the full list events and performances here.

Film and new media highlights include: Housing Works History, a website produced by Gavin Browning, Glen Cummings, and Laura Hanna, which surveys twenty-five years of services built by Housing Works for homeless individuals and families living with HIV/AIDS in New York City; and Through the Repellent Fence: A Land Art Film, directed by Samuel Wainwright Douglas, which follows art collective Postcommodity as they construct Repellent Fence, a two-mile long outdoor artwork that straddled the US-Mexico border.

See the full list film and new media projects here.

Many grantees also participated in this year’s exhibitions and events at the Graham Foundation. Installed in its historic Madlener House, the Foundation commissioned Spaces without drama or surface is an illusion, but so is depth, an exhibition that examined the recent proliferation of collage in architectural representation in relationship to scenography and theatrical set design curated by Wonne Ickx and Ruth Estévez: LIGA-Space for Architecture (Feb 16–Jul 1, 2017). In the fall, the Foundation also presented in the forest (September 14, 2017–January 6, 2018), a new commission by artist David Hartt, investigating the relationship between ideology, architecture, and the environment by revisiting architect Moshe Safdie’s unfinished 1968 Habitat Puerto Rico project. We also presented 26 public programs including talks, performances, and other events. Additionally, the Foundation curated a satellite Graham Foundation Bookshop at the second Chicago Architecture Biennial, a project that the Foundation incubated and launched in partnership with Chicago’s Department of Cultural Affairs and Special Events in 2015.

Image: Frida Escobedo, installation view of "Tu casa es mi casa," Neutra VDL Studio and Residences, 2017, Los Angeles. Photo: Adam Wiseman. From the 2016 organizational grant to Los Angeles Forum for Architecture and Urban Design for "Tu casa es mi casa"

 

Exhibitions currently on view:

Bengal Stream: The Vibrant Architecture Scene of Bangladesh
Curated by Niklaus Graber, Andreas Ruby, and Viviane Ehrensberger
S AM Swiss Architecture Museum (2017 Grantee)
Basel, Switzerland
Dec 1, 2017–Jun 6, 2018

Vessel of Change
Bill Ferehawk
The Wende Museum of the Cold War (2015 Grantee)
The Armory
Culver City, CA
Nov 19, 2017–Apr 29, 2018

Obdurate Space: Architecture of Donald Judd
Curated by Claude Armstrong and Donna Cohen (2016 Grantees)
Center for Architecture
New York, NY
Nov 14, 2017–Mar 5, 2018

Gordon Matta-Clark: Anarchitect
Curated by Sergio Bessa and Jessamyn Fiore
Bronx Museum of the Arts (2016 Grantee)
Bronx, NY
Nov 8, 2017–Apr 8, 2018

Scaffolding
Shohei Shigematsu
Curated by Greg Barton
New York Foundation for Architecture—Center for Architecture (2017 Grantee)
New York, NY
Oct 2, 2017–Jan 18, 2018

Tu casa es mi casa
Frida Escobedo, Aris Janigian, Pedro&Juana, Tezontle, Katya Tylevich, and David Ulin
Curated by Mario Ballesteros, Andrea Dietz, Sarah Lorenzen, and Mimi Zeiger
Los Angeles Forum for Architecture and Urban Design (2016 Grantee)
Neutra VDL Studio and Residences
Los Angeles, CA
Sept 23, 2017–Jan 17, 2018

In Wood We Trust
The Chapuisat Brothers
Curated by Tricia Van Eck
6018North (2014 Grantee)
Chicago, IL
Sept 16, 2017–Jan 8, 2018

54 Basel Street
Assaf Evron (2017 Grantee)
Curated by Aya Lurie
Herzliya Museum of Contemporary Art
Herzliya, Israel
Sept 16, 2017–Feb 3, 2018

Past exhibitions:

Scaffolding
Shohei Shigematsu
Curated by Greg Barton
New York Foundation for Architecture—Center for Architecture (2017 Grantee)
New York, NY
Oct 2, 2017–Jan 18, 2018

Designing the Computational Image/Imagining Computational Design
Daniel Cardoso Llach (2017 Grantee)
Miller Gallery at Carnegie Mellon University
Pittsburgh, PA
Sep 22–Nov 12, 2017

Singing Stones
Wilfrid Almendra, Daniel G. Baird, Bouchra Khalili, Dorian Gaudin, Lola Gonzàlez, Guillaume Leblon, Floating Museum, Florian Pugnaire & David Raffini, Andrew Schachman, Cauleen Smith, Thomas Teurlai, and Ralphaël Zarka
Curated by Katell Jaffrès
Palais de Tokyo (2017 Grantee)
Roundhouse, DuSable Museum
Chicago, IL
Sep 13–Oct 29, 2017

Cinthia Marcelle & Tiago Mata Machado: Divine Violence
Curated by Yesomi Umolu
University of Chicago Reva and David Logan Center for the Arts (2017 Grantee)
Chicago, IL
Sep 8–Oct 29, 2017

Control Syntax Songdo
Farzin Lotfi-Jam and Mark Wasiuta (2017 Grantees)
2017 Seoul Architecture Biennale
Seoul, South Korea
Sep 2–Nov 5, 2017

Exhibit Columbus
Landmark Columbus (2017 Grantee)
Columbus, IN
Aug 26–Nov 26, 2017

Anyspace: This Future Has a Past
Anyone Corporation (2014 Grantee)
Center for Architecture
New York, NY
Jul 25–Sep 12, 2017

Thick
Maxi Spina (2017 Grantee)
SCI-Arc Gallery
Los Angeles, CA
Jul 7–Aug 12, 2017

Prismatic Park
Josiah McElheny
Curated by Brooke Kamin Rapaport
Madison Square Park Conservancy (2016 Grantee)
New York, NY
Jun 13–Oct 8, 2017

Serpentine Pavilion 2017 by Francis Kéré
Serpentine Galleries (2017 Grantee)
London, United Kingdom
Jun 23–Nov 19, 2017

Frank Lloyd Wright at 150: Unpacking the Archive
Curated by Barry Bergdoll
The Museum of Modern Art (2016 Grantee)
New York, NY
Jun 12–Oct 1, 2017

Incense, Sweaters, and Ice
Martine Syms (2017 Grantee)
Curated by Jocelyn Miller
The Museum of Modern Art, New York, NY
May 27–Jul 16, 2017

Within the Horizon
Directed by Quynh Vantu (2016 Grantee)
Hedmark Museum
Hamar, Norway
May 20–28, 2017

Call for Peace with Anna Halprin's Planetary Dance
Anna Halprin (2017 Grantee)
Curated by Christine Macel
57th International Art Exhibition, La Biennale di Venezia
Venice, Italy
May 13–Nov 26, 2017

Urban Planning: Contemporary Art and the City, 1966-2017
Robert Adams, Edgar Arcenaux, Mark Bradford, Juan William Chavez, Agnes Denes, Kevin Jerome Everson, Cyprien Gaillard, Theaster Gates, Dan Graham, David Hartt, Zoe Leonard, Glenn Ligon, Josiah McElheny, Catherine Opie, Robert Overby, Michael Rakowitz, Martha Rosler, Ed Ruscha, Gary Simmons, Robert Smithson, Maya Stovall, Oscar Tuazon, and Sara VanDerBeek
Curated by Kelly Shindler
Contemporary Art Museum St. Louis (Grantee 2016)
St. Louis, MO
May 5–Aug 13, 2017

Victoria Square Project
Rick Lowe (2017 Grantee)
documenta 14, Athens
Apr 8–Jul 17, 2017
documenta 14, Kassel
Jun 10–Sep 17, 2017

Amereida Phalene Latin América
Marcelo Araya, Andrés Garcés, Iván Ivelic, and Manuel Sanfuentes (2017 Grantees)
Curated by Dieter Roelstrate
documenta 14, Athens
Apr 8–Jul 17, 2017
documenta 14, Kassel
Jun 10–Sep 17, 2017

Cross-Sections: Four Emerging Artists and Architects
Ang Li, Anuar Maauad, Kai Franz and Jack Schneider
Curated by Chelsea Culprit, Ben Foch, Jaffer Kolb, Ian Quate and Colleen Tuite (2016 Grantees)
1.5 Rooms
New York, NY
Corners
Mar 19–Apr 23, 2017
Unnatural Hardware
Jul 6–Aug 27, 2017

The Arcades: Contemporary Art and Walter Benjamin
Curated by Jens Hoffman
The Jewish Museum (2017 Grantee)
New York, NY
Mar 17–Aug 6, 2017

Environmental Communications: Contact High
Curated and designed by Mark Wasiuta, Marcos Sánchez (2011 Grantees) and Adam Bandler
LAXART (2017 Grantee)
Los Angeles, CA
Feb 18–Apr 1, 2017

Second Life
Dennis Oppenheim, Lebbeus Woods, Christoph a. Kumpusch, and Kryzsztof Wodiczko
Curated by Aaron Levy, William Menking, Amy Oppenheim, Orkan Telhan, and Ken Saylor
Slought (2015 Grantee)
Philadelphia, PA
Feb 9–Apr 26, 2017

Fantastic Architecture: Vostell, Fluxus, and the Built Environment
Vostell Concrete, 1969-1973
Wolf Vostell
Curated by Christine Mehring and Jacob Proctor
University of Chicago Neubauer Collegium for Culture and Society & Smart Museum of Art (2016 Grantees)
Neubauer Collegium for Culture and Society, Chicago
Jan 17–Mar 17, 2017
Smart Museum of Art, Chicago
Jan 17–Jun 11, 2017

Pierre Chareau: Modern Architecture and Design
Curated by Esther da Costa Meyer and Daniel S. Palmer
The Jewish Museum (2016 Grantee)
New York, NY
Nov 4, 2016–Mar 26, 2017

Meeting the Clouds Halfway
Aranda\Lasch and Terrol Dew Johnson
Curated by Alexandra Cunningham Cameron and Jocko Weyland
Museum of Contemporary Art Tucson (2016 Grantee)
Tucson, AZ
Oct 29, 2016–Jan 29, 2017

The Kid Gets Out of the Picture: Three Acts toward a Picturesque in Reverse
Andrew Atwood, Claus Benjamin Freyinger, Andrew Holder, and Jason Payne
Curated by Jia Gu, Courtney Coffmann, and Andrew Holder
Materials & Applications (2015 Grantee)
Los Angeles, CA
Oct 15, 2016–Feb 28, 2017

Who Builds Your Architecture?
Kadambari Baxi, Jordan Carver, Laura Diamond Dixit, and Mabel O. Wilson
Curated by Karen Kice
Art Institute of Chicago (2015 Grantee)
Chicago, IL
Oct 11, 2016–Jun 11, 2017

s/he would rather do FICTION MAKER
François Roche (2016 Grantee)
FRAC Centre
Orleans, France
Nov 10, 2016–Mar 26, 2017

 

Image: Gordon Matta-Clark working on "Conical Intersect," 1975, Paris. Courtesy of the Estate of Gordon Matta-Clark. From the 2016 organizational grant to Bronx Museum for "Gordon Matta-Clark: Anarchitect"

 

The Iron Triangle

Directed by Prudence Katze and William Lehman (2016 Grantees)
Premiered at DOC NYC
Nov 11, 2017

The Experimental City
Directed by Chad Freidrichs (2015 Grantee)
Premiered at the Chicago International Film Festival and Chicago Architecture Biennial
Oct 18, 2017

Kevin Roche: The Quiet Architect
Directed by Mark Noonan
Produced by Wavelength Pictures (Grantee 2015)
Premiered at the IFI Documentary Festival
Oct 1, 2017

The Farnsworth Scores
Directed by Rob Mazurek and Lee Anne Schmitt (2016 Grantees)
Premiered at CineMarfa
May 5, 2017

70 Acres in Chicago: Cabrini Green
Directed by Ronit Bezalel (2009 Grantee)
Premiered on WORLD Channel
February 21, 2017

Housing Works History
Website produced by Gavin Browning, Glen Cummings and Laura Hanna (2015 Grantees)
Launched at the New York Public Library
Feb 21, 2017

Through the Repellent Fence: A Land Art Film
Directed by Samuel Wainwright Douglas (2013 Grantee)
Premiered at The Museum of Modern Art
Feb 18, 2017

Never Discuss Politics at Home
TV series produced by TOMA: Leandro Cappetto, Mathias Klenner, Eduardo Perez, Ignacio Rivas and Ignacio Saavedra (2017 Grantees)

 

Black in Design 2017: Designing Resistance, Building Coalitions

Harvard University Graduate School of Design, African American Student Union (2017 Grantee)
Gund Hall, Harvard University, Cambridge, MA
Oct 6–8, 2017

Modern Living
Gerard & Kelly
National Trust for Historic Preservation, Farnsworth House (2017 Grantees)
Plano, IL
Sep 16, 2017

2017 Design Matters Conference
Association of Architecture Organizations (2017 Grantee)
Chicago, IL
Sep 14–16, 2017

Here Hear Chicago
Nick Cave and Jeanne Gang
Navy Pier (2017 Grantee)
Sep 13–17, 2017

Making and Re-Making Glasgow: Heritage and Sustainability
SAH 2017 Annual International Conference
Society of Architectural Historians (2016 Grantee)
University of Strathclyde, Technology and Innovation Centre, Glasgow, Scotland
Jun 7–11, 2017

The Object as Actor Symposium
Noam Toran (2015 Grantee)
Het Nieuwe Instituut, Rotterdam, The Netherlands
Jan 25, 2017

 

Image: Gerard & Kelly, "Modern Living" (2016-ongoing), performance view at the Farnsworth House, Plano, IL, presented by the 2017 Chicago Architecture Biennial, September 15-16, 2017. Pictured: Julia Eichten and Zack Winokur. Photo: Robert Hickerson. Courtesy of the artists. From the 2017 organizational grant to the National Trust for Historic Preservation-Farnsworth House for Modern Living

 

Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design

By Zeynep Çelik Alexander (2016 Grantee)
University of Chicago Press
2017

The Arsenal of Exclusion & Inclusion
By Tobias Armborst, Daniel D’Oca, and Georgeen Theodore (2014 Grantees)
Actar Publishers
2017

Frank Lloyd Wright: Unpacking the Archive
Edited by Barry Bergdoll and Jennifer Gray
The Museum of Modern Art (2016 Grantee)
2017

Gordon Matta-Clark: Anarchitect
Edited by Antonio Sergio Bessa and Jessamyn Fiore
Bronx Museum of the Arts (2016 Grantee) and Yale University Press
2017

Architecture is All Over
Edited by Esther Choi and Marrikka Trotter (2015 Grantees)
Columbia Books on Architecture and the City
2017

New Geographies 08: Islands
Edited by Daniel Daou and Pablo Pérez-Ramos
Harvard University Graduate School of Design (2014 Grantee) and Harvard University Press
2017

Log 39-41: Winter 2017, Spring/Summer 2017, Fall 2017
Edited by Cynthia Davidson
Anyone Corporation (2017 Grantee)
2017

Flat Out 2
Edited by Penelope Dean (2009 Grantee)
Flat Out
2017

Urbanlab: Bowling
By Sarah Dunn and Martin Felsen (2014 Grantees)
Applied Research and Design Publishing
2017

54 Basel Street: Source Book
By Assaf Evron (2017 Grantee)
Herzliya Museum for Contemporary Art
2017

OfficeUS Manual
Edited by Eva Franch, Ana Miljački, Carlos Mínguez Carrasco, Jacob Reidel, and Ashley Schafer
Storefront for Art and Architecture (2014 Grantee) and Lars Müller Publishers
2017

MAS CONTEXT Issue 30-31 Bilbao
Edited by Iker Gil
MAS Context (2015 Grantee)
2017

Welcome to Your World: How the Built Environment Shapes our Lives
By Sarah Williams Goldhagen (2017 Grantee)
Harper
2017

When Is the Digital in Architecture?
Edited by Andrew Goodhouse
Canadian Centre for Architecture (2014 Grantee) and Sternberg Press
2017

Minoru Yamasaki: Humanist Architecture for a Modernist World
By Dale Allen Gyure (2016 Grantee)
Yale University Press
2017

Building Access: Universal Design and the Politics of Disability
By Aimi Hamraie (2017 Grantee)
University of Minnesota Press
2017

Cedric Price Works, 1952–2003: A Forward-Minded Retrospective
By Samantha Hardingham (2012 Grantee)
Architectural Association and Canadian Centre for Architecture
2017

The Arcades: Contemporary Art and Walter Benjamin
Edited by Jens Hoffman
The Jewish Museum (2017 Grantee)
2017

Third Coast Atlas: Prelude to a Plan
Edited by Daniel Ibañez, Clare Lyster, Charles Waldheim and Mason White (2015 Grantees)
Actar Publishers
2017

SOUPERgreen! Souped Up Green Architecture
By Doug Jackson (2014 Grantee)
Actar Publishers
2017

LabStudio: Design Research between Architecture and Biology
By Peter Lloyd Jones and Jenny E. Sabin (2010 Grantees)
Routledge
2017

Socialist Architecture: The Reappearing Act
By Srdjan Jovanovic Weiss and photographs by Armin Linke (2011 Grantees)
The Green Box
2017

PROJECT Issue Six
Edited by Alfie Koetter, Daniel Markiewicz, and Emmett Zeifman
Consolidated Urbanism (2017 Grantee)
2017

UR03: 2100: A Dystopian Utopia / The City After Climate Change
Edited by Vanessa Keith and Michael Sorkin
Terreform (2013 Grantee)
2017

THE FUNAMBULIST Nos. 9-14: Islands, Architecture & Colonialism, Designed Destructions, Racialized Incarceration, Queers, Feminists & Interiors, Toxic Atmospheres
Edited by Leopold Lambert (2016 Grantee)
The Funambulist
2017

FOLIO: Journal of African Architecture, Issue No. 1: Pupae
Edited by Lesley Lokko
University of Johannesburg (2016 Grantee) and GSA Imprints
2017

The Letters of Colin Rowe: Five Decades of Correspondence
Edited by Daniel Naegele (2012 Grantee)
Artifice
2017

Suprarural: Architectural Atlas of Rural Protocols of the American Midwest and the Argentine Pampas
By Ciro Najle and Lluís Ortega (2013 Grantees)
Actar Publishers
2017

UR12: Downward Spiral: El Helicoide's Descent from Mall to Prison
Edited by Celeste Olalquiaga and Lisa Blackmore
Terreform (2017 Grantee)
2017

Modern Architecture in Mexico City: History, Representation, and the Shaping of a Capitol
By Kathryn E. O’Rourke (2015 Grantee)
University of Pittsburgh Press
2017

The Total Designer: Authorship in Architecture in the Post-Digital Age
By Lluís Ortega (2015 Grantee)
Actar Publishers and Puente Editores
2017

Sur 3: Esther McCoy: The Mexican Years
Edited by Rodrigo Ortiz Monasterio and Jesi Khadivi
Guayaba Press (2016 Grantees) and Bom Dia Boa Tarde Boa Noite
2017

Elastic Architecture: Frederick Kiesler and Design Research in the First Age of Robotic Culture
By Stephen Phillips (2015 Grantee)
MIT Press
2017

Borderwall as Architecture
By Ronald Rael
University of California Press (2014 Grantee)
2017

Muriel Cooper
By David Reinfurt and Robert Wiesenberger (2013 Grantees)
(MIT Press, 2017)

As Seen: Exhibitions that Made Architecture and Design History
By Zoë Ryan
Art Institute of Chicago (2016 Grantee) and Yale University Press
2017

Many Norths: Spatial Practices in a Polar Territory
By Lola Sheppard and Mason White (2014 Grantees)
Actar Publishers
2017

Architectural Intelligence: How Designers and Architects Created the Digital Landscape
By Molly Wright Steenson (2017 Grantee)
MIT Press
2017

In Progress: The IID Summer Sessions
By Irene Sunwoo
Architectural Association (2016 Grantee) and Graham Foundation for Advanced Studies in the Fine Arts
2017

Sifting the Trash: A History of Design Criticism
By Alice Twemlow (2015 Grantee)
MIT Press
2017

Buildings of Wisconsin
Edited by Marsha Weisiger
Society of Architectural Historians (1998 Grantee) and University of Virginia Press
2017

Women Architects in India: Histories of Practice in Mumbai and Delhi
By Mary N. Woods (2016 Grantee)
Routledge
2017

We will be closed Thursday, November 23 through Saturday, November 25. We will resume normal gallery hours of Wednesday–Saturday, 11–6 p.m. on November 29. We apologize for any inconvenience.

 

The Graham Foundation is pleased to announce the winners of the 2017 Carter Manny Award. Since the establishment of this award in 1996, the Graham Foundation has awarded over $775,000 in recognition of promising doctoral students whose dissertation projects represent original and advanced scholarship in architecture and have the exciting potential to move the field in new directions. Two Carter Manny Awards are given each year, one for dissertation research and one for writing.

The winner of the 2017 Carter Manny Award for writing and a $20,000 award is James Graham, a PhD candidate at Columbia University's Graduate School of Architecture, Planning and Preservation. Graham's dissertation, The Psychotechnical Architect: Perception, Vocation, and the Laboratory Cultures of Modernism, 1914–1945, explores the rise of applied psychology, and particularly psychotechnics, and the way these sciences influence architectural pedagogy and practice between (and during) the world wars of the twentieth century.

The winner of the 2017 Carter Manny Award for research and a $15,000 award is Razieh Ghorbani, a PhD candidate in the Department of Architecture at the University of California, Berkeley. Her dissertation, The Space of Sanctions: Architecture and Construction in Contemporary Iran, explores how the culture of sanctions transforms architectural practices in Iran, and leads to new ways of imagining the city and the built environment.

Additionally, three students have been awarded Citations of Special Recognition for their dissertation projects. The list of citation winners follows below.

The award and citation winners were selected by an external panel after a competitive review of forty-four applications from doctoral students throughout the US and Canada who were nominated by their departments to apply for the award.

This year’s review panelists were Craig Buckley (Assistant Professor, Department of the History of Art, Yale University); Meredith TenHoor (Associate Professor, School of Architecture, Pratt Institute); Irene Sunwoo (Director of Exhibitions, Graduate School of Architecture, Planning and Preservation, Columbia University); and Nader Vossoughian (Associate Professor, Department of Architecture, New York Institute of Technology).

The Graham Foundation offers this annual award in honor of the memory of Carter H. Manny (1918–2017) and his long and distinguished service to the Foundation since its inception in 1956, first as a Trustee, then as the Foundation's third Director from 1971–93, and as director emeritus in his retirement.

Applications for the 2018 Carter Manny Award are due November 15, 2017. To learn more, see the award guidelines here.

 

2017 CITATIONS OF SPECIAL RECOGNITION

WRITING

Kera Lovell
Purdue University, School of Interdisciplinary Studies, American Studies Program
Mapping Power over Urban Green Space in the Age of Protest, 1968–1988

Nikki Moore
Rice University, Department of Art History
Agritectures of the Green Revolution: Architecture, Art and the Agrilogistics of Transnational Aid from the United States to the Caribbean Region, 1930–1978

RESEARCH

Matthew Mullane
Princeton University, School of Architecture
Worthy Objects: Architecture and Histories of Observation in Meiji Japan

 

Image: Hugo Münsterberg, The Vocation of the Architect, from Vocation and Learning (The People's University, 1910). From the Graham Foundation's 2017 Carter Manny Award for doctoral dissertation writing to James Graham for The Psychotechnical Architect: Perception, Vocation, and the Laboratory Cultures of Modernism, 1914–1945

Deadline: November 15, 2017

The Graham Foundation is now accepting applications for the 2018 Carter Manny Award. Ph.D. students must be nominated by their department to apply for the Carter Manny Award. The award is open to students officially enrolled in schools in the US and Canada, regardless of citizenship.

The Carter Manny Award supports dissertation research and writing by promising scholars whose projects have architecture as their primary concern and have the potential to shape contemporary discourse about architecture and impact the field. Projects may be drawn from the various fields of inquiry supported by the Graham Foundation: architectural history, theory, and criticism; design; engineering; landscape architecture; urban planning; urban studies; the visual arts; and other related fields. The award assists students enrolled in graduate programs in architecture, art history, the fine arts, humanities, and the social sciences working on architecture topics.

For the award guidelines, eligibility information, and application, click here.