Madlener House
4 West Burton Place
Chicago, Illinois 60610
Telephone: 312.787.4071
info@grahamfoundation.org

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Ellen Phan
Lampo Performance Series
Mar 09, 2024 (8pm)
Performance

RSVP required, limited capacity

Ellen Phan premieres Tension and Release, a new work of computer music, centering on a series of vulnerable, private therapeutic Neuro-Linguistic Programming sessions with her mentor over the course of three years that focus on releasing grief, people pleasing, inner child work, and navigating the complexities of motherhood.

Ellen Phan (b.1986, Fountain Valley, CA) is a computer music artist. Her work focuses on creating multi-dimensional frequencies using a variety of processing and synthesis with a distinct hallucinatory, dissociative, psychoacoustic sound world inspired by the Superconscious.

She has performed at CCRMA (Center for Computer Research in Music and Acoustics), Stanford University; Algorithmic Art Assembly, San Francisco; Hangar, Barcelona; The Geffen Contemporary at MOCA, Los Angeles; Desert Daze Festival, Lake Perris; Corridor Festival, Seattle; and Indexical, Santa Cruz. Her music has been published by Bánh Mì Verlag, Anòmia, Nada Recs and LOL Editions, with a forthcoming release on Rope Editions. Phan also has a hypnotherapy practice, and her work in hypnotism informs her approach to sonics. She lives in Los Angeles.

Since 2010, the Graham Foundation has partnered with Lampo to produce an international performance series held at the Madlener House. Lampo, founded in 1997, is a nonprofit organization for experimental music and intermedia projects.

Lampo, established in 1997, supports artists working in new music, experimental sound, and other interdisciplinary practices. The Chicago-based organization's core activity has been and remains its performance series. Rather than making programming decisions around tour schedules, Lampo invites selected artists to create and perform new work, and then the organization provides the space, resources, and curatorial support to help them fulfill their vision. Lampo also organizes artist talks, lectures, screenings, and workshops, and publishes written and recorded documents related to its series.

Note: This event will be held in the ballroom on the third floor of the Madlener House, which is only accessible by stairs. The first-floor galleries and bookshop are accessible via outdoor lift. Please contact us at 312.787.4071 or info@grahamfoundation.org to make arrangements.

Photo: Rei Hertzler

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Phillips_negotiator_1__2020_web

Energy Exchange
Julia Phillips with Nana Adusei-Poku and artists Tina Wang and Eli Greene
Apr 12, 2024 (4:30pm)
Book Launch

RSVP required

Join us for the book launch of Julia Phillips’ first monograph Energy Exchange (Mousse, 2023), featuring a conversation between the artist and scholar and writer Nana Adusei-Poku, as well as commissioned performances by artists Tina Wang and Eli Greene. A reception will follow the event; copies of Energy Exchange will be available in the Graham Foundation bookshop.

Inspired by tools and functional objects, the sculptures of Julia Phillips are metaphors for social and psychological experiences. These metaphors are both mechanical and bodily, and the experiences they describe typically focus on power relations between individuals or between an individual and an institution.

Julia Phillips was born in Hamburg and lives and works in Chicago and Berlin. She has had solo exhibitions at MoMA PS1, New York and Kunstverein Braunschweig, and was featured in the Berlin Biennial, the New Museum Triennial, and the 59th International Art Exhibition—La Biennale di Venezia, Venice. Her work has been shown at museums including the MUSEUM für Moderne Kunst (MMK), Frankfurt; Museum Brandhorst, Munich; Museum of Fine Arts, Boston; Museu de Arte de São Paulo; and the Studio Museum in Harlem. Her work is held in numerous public collections including the Art Institute of Chicago; The Museum of Modern Art, New York; and Moderna Museet, Stockholm. Phillips recently completed her first public art commission titled Observer, Observed for the High Line, New York, and her work will be included in the Whitney Biennial 2024.

Photo: Julia Phillips, Negotiator (#1), 2020. Ceramic, stainless steel, marble, 77 × 59 × 79 in. Courtesy the artist and Matthew Marks Gallery


Note: This event will be held in the ballroom on the third floor of the Madlener House, which is only accessible by stairs. The first-floor galleries and bookshop are accessible via outdoor lift. Please contact us at 312.787.4071 or info@grahamfoundation.org to make arrangements.

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Cédric Van Parys, 2023–24 Garofalo Fellow
Apr 18, 2024 (6pm)
Talk

Join us for a presentation by Cédric Van Parys the 2023–24 Douglas A. Garofalo Fellow from the University of Illinois at Chicago (UIC) School of Architecture.

Cédric Van Parys an architect, researcher, and artist, and the founder of CCXD, a Rotterdam- and Sofia-based practice operating at the intersection of architecture and the visual arts. The studio’s work is built on analytical research and is concerned with the relation between monuments, public space, symbols, rituals, and aesthetics. Van Parys’ research, sculptures, and installations have been exhibited and built at the Venice Art Biennale; the Venice Architecture Biennale; RAUM Utrecht; the Shanghai Art Biennale; the Biennale de Arquitetura de São Paulo; Plus359Gallery Sofia; Sofia Art Week; and Het Nieuwe Instituut, in Rotterdam. Drawing inspiration from (architectural) history, archival research, and natural science, Van Parys aims to foster curiosity about the world we have made and inhabit and how this relates to the planet, the cosmos, and beyond. 

About the Douglas A. Garofalo Fellowship
Named in honor of architect and educator Doug Garofalo (1958–2011), this nine-month teaching fellowship—supported with a grant from the Graham Foundation—provides emerging designers the opportunity to teach studio and seminar courses in the undergraduate and graduate programs and conduct independent design research. The fellowship also includes a public lecture at the Graham Foundation and an exhibition at the University of Illinois at Chicago (UIC) School of Architecture. To learn more about the fellowship, click here.

Note: This event will be held in the ballroom on the third floor of the Madlener House, which is only accessible by stairs. The first-floor galleries and bookshop are accessible via outdoor lift. Please contact us at 312.787.4071 or info@grahamfoundation.org to make arrangements.

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Madison Greenstone
Lampo Performance Series
May 04, 2024 (7pm)
Performance

RSVP required, limited capacity–available April 17

Madison Greenstone performs Silent Paradox of Expression, a new concert-length extension of their exstatic resonances practice of playing the clarinet.

Madison Greenstone (b.1992, Los Angeles) is a clarinetist, composer, and writer based in Brooklyn. Greenstone’s solo performance practice, exstatic resonances, explores intense instrumental expressivities that arise when the clarinet is treated as a site of indeterminacy and generative instability. exstatic resonances draw on ongoing studies in phenomenology, self-generative music, acoustics, and the Jewish-mystical emanations of ruach.

Greenstone performs widely as a soloist and chamber musician. As a soloist, they have presented their work at KM28, Berlin; the Vigeland Mausoleum, Oslo; Night of Surprise, Cologne; Issue Project Room, New York; Non Event, Boston; and the Merce Cunningham Centennial Night of 100 Solos, Los Angeles. As a chamber and orchestral musician, they have performed at the New York Philharmonic; PS21, Chatham; KKL Luzern; Hamburg Elbphilharmonie; Darmstadt Ferienkurse; Indexical, Santa Cruz; Walt Disney Concert Hall, Los Angles; and Miller Theater, New York. They have held residencies at Harvard, Princeton, Columbia, University of Pennsylvania, Cornell, and University of Chicago.

Their debut solo album, Resonance Studies in Ecstatic Consciousness (Relative Pitch Records), was released in 2022. Greenstone can also be heard on labels such as Wandelweiser Editions, Another Timbre, TAK Editions, Pleasure of the Text Records, New Focus Recordings, Impakt Collective, and upcoming on Dinzu Artefacts.

Greenstone is the clarinetist of TAK Ensemble, and a founding member of the [Switch~ Ensemble]. Trained in contemporary classical performance, they have learned greatly from the mentorship of Anthony Burr and Charles Curtis at University of California San Diego.

Since 2010, the Graham Foundation has partnered with Lampo to produce an international performance series held at the Madlener House. Lampo, founded in 1997, is a nonprofit organization for experimental music and intermedia projects.

Lampo, established in 1997, supports artists working in new music, experimental sound ,and other interdisciplinary practices. The Chicago-based organization's core activity has been and remains its performance series. Rather than making programming decisions around tour schedules, Lampo invites selected artists to create and perform new work, and then the organization provides the space, resources, and curatorial support to help them fulfill their vision. Lampo also organizes artist talks, lectures, screenings, and workshops, and publishes written and recorded documents related to its series.

Note: This event will be held in the ballroom on the third floor of the Madlener House, which is only accessible by stairs. The first-floor galleries and bookshop are accessible via outdoor lift. Please contact us at 312.787.4071 or info@grahamfoundation.org to make arrangements.

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Michelle Lou & Bryan Jacobs
Lampo Performance Series
Jun 08, 2024 (7pm)
Performance

RSVP required, limited capacity–available May 22

In Music for laptops, speakers and mechanical instruments, Michelle Lou and Bryan Jacobs create a hybrid synthetic sonic space, made up of both digital synthesized and physical acoustic sound-making devices. The performance offers a potentially dizzying, at times playful experience for listeners in the round.

Lou and Jacobs follow a large-scale structure from which they explore, respond, and react—improvising on each of their own custom-designed performance systems—Lou on a laptop and 8 channels of speakers, and Jacobs on computer-controlled DIY musical devices.

“Sound is at the limit of materiality,” they write.

“It touches things, it’s modulated by surfaces, by bodies, by objects and architecture. It’s only heard if it enters your body and triggers a mechanical response. It’s terrestrial in that it requires so much stuff to travel that it can’t travel through the vacuum of space, and yet it’s immaterial in most other ways.

“With this in mind, one could say that sound may provide a pathway towards accessing unseeable and untouchable interiors. The tension between the seen and the heard, particularly when the two do not align is highlighted through the use of loudspeakers. The tension found in listening also expands to the perception of one’s location: the limits of the actual physical space reaches beyond itself as the imagination stretches, while also collapsing into a singular experience as the body is still sitting in a chair.”

Composer, performer, and sound artist, Bryan Jacobs’ (b.1979, Columbus, OH) work focuses on interactions between live performers, mechanical instruments and computers. His pieces are often theatrical in nature, pitting blabber-mouthed fanciful showoffs against timid reluctants. The sounds are playfully organized and many times mimic patterns found in human dialogue. Hand-built electromechanical instruments controlled by microcontrollers bridge acoustic and electroacoustic sound worlds. These instruments live dual lives as time-based concert works and non-time-based gallery works.

His music has been performed by ensembles such as the Cleveland Chamber Symphony, Wet Ink, International Contemporary Ensemble, Talea Ensemble, Ensemble Pamplemousse, and defunensemble. His music has been featured at many music festivals in Europe and the US. He is a 2017 Guggenheim Fellow. He has performed his own compositions for guitar and electronics at The Stone, New York; Miller Theater, New York; and The Wulf, Los Angeles. Jacobs is also a member of the performer/composer collective Ensemble Pamplemousse and is on faculty at the Peabody Institute of the John Hopkins University.

Michelle Lou (b.1975, San Diego, CA) composes mainly in the realm of electro-acoustic music, both in hardware and in computer based forms. She has also created large-scale sound installations that are often performative and collaborative. She performs and improvises on acoustic and electric bass, electric guitar, and on laptop and various electronics. Her work has been presented at Wien Modern; Donaueschinger Musiktage; Darmstadt Ferienkurse; Bludenzer Tage zeitgemäßer Musik; the Festival of New American Music, Sacramento; the MATA Festival, New York; the 66th American Music Festival at the National Gallery in Washington, DC; Rainy Days Festival, Luxembourg; Ultima Festival, Oslo; Chance and Circumstance, Brooklyn; Klub Katarakt, Hamburg; Klangwerkstatt and MaerzMusik, Berlin; among others.

She received degrees in double bass performance and music composition from University of California (UC) San Diego with additional studies at The Conservatorio G. Nicolini in Piacenza, Italy (double bass) and The UDK in Graz, Austria (composition), the latter on a Fulbright Fellowship. Graduate studies culminated in a doctorate in composition from Stanford University. Lou was a Radcliffe Fellow at Harvard University and an Elliott Carter Rome Prize Fellow at the American Academy in Rome. She has been granted commissions from institutions like the Fromm Music Foundation, the Ernst von Siemens Music Foundation, and the Norwegian Arts Council. She has taught as visiting faculty at Dartmouth College, the Akademie für Neue Musik in Boswil, Switzerland, and the University of California, Santa Cruz. She is currently on faculty at UC San Diego.

Since 2010, the Graham Foundation has partnered with Lampo to produce an international performance series held at the Madlener House. Lampo, founded in 1997, is a nonprofit organization for experimental music and intermedia projects.

Lampo, established in 1997, supports artists working in new music, experimental sound, and other interdisciplinary practices. The Chicago-based organization's core activity has been and remains its performance series. Rather than making programming decisions around tour schedules, Lampo invites selected artists to create and perform new work, and then the organization provides the space, resources, and curatorial support to help them fulfill their vision. Lampo also organizes artist talks, lectures, screenings, and workshops, and publishes written and recorded documents related to its series.

Note: This event will be held in the ballroom on the third floor of the Madlener House, which is only accessible by stairs. The first-floor galleries and bookshop are accessible via outdoor lift. Please contact us at 312.787.4071 or info@grahamfoundation.org to make arrangements.

 

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Unless otherwise noted,
all events take place at:

Madlener House
4 West Burton Place, Chicago

Wednesday–Saturday, 12–5 p.m.


CONTACT
312.787.4071
info@grahamfoundation.org



Accessibility

Events are held in the ballroom on the third floor which is only accessible by stairs.
The first floor of the Madlener House is accessible via an outdoor lift. Please call 312.787.4071 to make arrangements.