4 West Burton Place
Chicago, Illinois 60610
*This performance will take place at Rebuild Foundation, located at the Stony Island Arts Bank, 6760 S. Stony Island Avenue, Chicago (map).*
In his Chicago debut, artist and Graham grantee James Hoff will present a new four-channel work using computer viruses to infect beats, where the mutated results become the building blocks for new compositions.
Hoff’s interest in computer viruses lies in their ability to self-distribute through (and ultimately disrupt) networks of communication, and Hoff’s agency as an artist centers on placing these parasitic forms into pre-existing genres, such as dance music.
“Viruses, like art, need a host. Preferably a popular one,” he writes.
James Hoff is an artist living and working in Brooklyn, NY. His work encompasses painting, sound, writing, performance and publishing, among other media. Taking cues and inspiration from the computer works of Emmett Williams, BP Nichol and Jackson Mac Low; conceptual writers Vito Acconci, Aram Saroyan and Douglas Huebler; and early to late computer viruses (from Pervade to Flame), Hoff works with malware to infect media files as a compositional strategy for painting and music.
Hoff is also a co-founder of Primary Information, a nonprofit arts organization devoted to publishing artists’ books and art historical documents. Primary Information is the recipient of three Graham Foundation grants, most recently in 2015 for “Dan Graham and the Static,” a limited-edition cassette featuring the unique recording of a seminal artwork by Dan Graham that connects architecture, performance, and music.
This performance is presented in partnership with Lampo and Rebuild Foundation. Founded in 1997, Lampo is a non-profit organization for experimental music and intermedia projects. Rebuild Foundation is a nonprofit organization that endeavors to rebuild the cultural foundations of underinvested neighborhoods and incite movements of community revitalization that are culture based, artist led, and neighborhood driven.
Related Talk: On Saturday, December 12, at 2:30pm James Hoff will discuss the history of artists’ books and Primary Information, the organization he co-founded to publish books and writings by artists. He will have a small selection of his artists’ books on hand to share with the audience. This talk will take place at the Stony Island Arts Bank. For more information, click here.
Related Grants: 2015 Organizational Grant to Primary Information for “Dan Graham and the Static” (2016); 2014 Organizational Grant to Primary Information for “Fantastic Architecture” (2015); and 2013 Organizational Grant to Primary Information for “The Sound Works of Vito Acconci” (2016).
Image: James Hoff, Skywiper No. 3 (detail), 2014. Chromaluxe transfer on aluminum, 30 x 16 inches. Courtesy of the artist and Callicoon Fine Arts, New York.
In a performance at the Madlener House on November 21, Norwegian artist and composer Stine Janvin Motland, will present her solo project In Labour. Motland’s piece challenges the concert format, raising questions about how we listen within and without the designated performance space. Using an omnidirectional, wireless microphone, the remarkable vocalist will move between the main performance space of the Madlener House ballroom and the adjacent rooms, transmitting her vocal abstractions and the surrounding ambience live to the audience. In addition, Motland will perform a solo improvisation during the event.
Please note: Due to the installation of artwork for our current exhibition, seating for this performance is extremely limited. RSVP is required and event entry is first-come, first-serve, so please plan to arrive early. Doors will open at 7:30pm.
Stine Janvin Motland is a vocalist, improviser, and composer based in Stavanger, Oslo and Berlin. Using highly original, extended vocal techniques and elements of physical theater, she pushes the natural acoustics of the human voice and thus, the definition of the singer, to explore its limits and its implications. Motland’s ongoing projects include her solo piece In Labour; Native Instrument with Felicity Mangan; and the Brigitte & Paula band with Maria Ramvi and Camilla Vislie. She also works with artists such as Lasse Marhaug, Maja Ratkje, Fred Lonberg-Holm, and Mats Gustafsson in a number of interdisciplinary projects. Selected recent performances include the Unsound Festival, Krakow; Performa 13, New York; Music Unlimited, Wels; Ultima Oslo Contemporary Music Festival, Oslo; Festival CRAK, Paris; International Theater Festival MESS, Sarajevo; Pérez Art Museum, Miami; Festival Densités, Fresnes-en-Woëvre; Jazz á Luz, Luz-Saint-Sauveur; Nya Perspektiv, Västerås; and All Ears Festival, Oslo.
This performance is presented in partnership with Lampo, with support provided by the American-Scandinavian Foundation. Founded in 1997, Lampo is a non-profit organization for experimental music and intermedia projects. Visit www.lampo.org.
**Please note: The talk will take place at the International Museum of Surgical Science, 1524 N Lake Shore Drive. Doors open at 5:30pm and seating is first come, first serve. Following the talk, join us for a reception in the Graham Foundation galleries, where the exhibition "Barbara Kasten: Stages" is on view.**
In conjunction with our new exhibition Barbara Kasten: Stages, art historian and critic Alex Kitnick will explore the critical stakes of Barbara Kasten’s photographic series from the 1980s that artfully staged important works of American architecture, including Arata Isozaki’s Museum of Contemporary Art, Los Angeles and Richard Meier’s High Museum of Art in Atlanta. Created at the height of postmodern theory, Kasten's Architectural Sites submits iconic buildings to distorting angles and colored lights, thus transforming already vertiginous structures into truly illusory spaces. Kitnick argues that these photographs offer a unique form of criticism that seek to heighten—rather than deconstruct—the effects of an emerging Postmodernism, and that these effects that are increasingly familiar today.
Alex Kitnick teaches at Bard College, where he was recently appointed the Brant Family Fellow in Contemporary Arts. In 2010 he received his PhD from the Department of Art & Archaeology at Princeton University. From 2011 to 2012 he held a postdoctoral fellowship at the Getty Research Institute in Los Angeles. Kitnick's work frequently focuses on the intersection of art and architecture. He has edited numerous volumes including a collection of John McHale’s writings, The Expendable Reader: Articles on Art, Architecture, Design, and Media, 1951-1979, which was supported by a grant from the Graham Foundation, and October 136 on New Brutalism. He is a frequent contributor to Artforum, October, and Texte zur Kunst, among other publications.
Related Grant: 2011 Individual Grant to Alex Kitnick for the publication “The Expendable Reader: John McHale on Art, Architecture, Design, and Media, 1951-1979" (Sourcebook Series, GSAPP Books, 2011).
Image: Barbara Kasten, "Architectural Site 17, August 29, 1988", 1988. Cibachrome. 60 X 50 inches. Location: High Musem of Art, Atlanta, GA. Architect: Richard Meier. Courtesy of the artist.
For more information on the exhibition, Barbara Kasten: Stages, click here.
Please join us for a reception to celebrate the opening of our fall exhibition, Barbara Kasten: Stages, with comments by Barbara Kasten and ICA curator Alex Klein.
In conjunction with the exhibition opening, the Graham Foundation, with Distributed Art Publishers, is pleased to launch Barbara Kasten: The Diazotypes––a special small-run artist book of Kasten's diazotypes, a body of work she created while living in California in the 1970s, using a process commonly employed to create architectural blueprints. Along with the exhibition catalogue, Barbara Kasten: The Diazotypes will be available for purchase at the Graham Foundation Bookshop.
Barbara Kasten: Stages is organized by the Institute of Contemporary Art, University of Pennsylvania and is curated by ICA Curator Alex Klein. This exhibition is presented in partnership with the 2015 Chicago Architecture Biennial.
Major support for Barbara Kasten: Stages has been provided by The Pew Center for Arts & Heritage, with additional support from the Nancy E. and Leonard M. Amoroso Exhibition Fund, Pamela Toub Berkman & David J. Berkman, Bortolami, the Carol T. & John G. Finley Fund, Kadel Willborn Gallery, the Marjorie E. and Michael J. Levine Fund, Toby Devan Lewis, Amanda & Andrew Megibow, Stephanie B. & David E. Simon, Babette L. & Harvey A. Snyder, and Meredith L. & Bryan S.Verona.
Please note that the opening reception for Barbara Kasten: Stages is being filmed for a documentary produced by the nonprofit contemporary art organization ART21, which creates educational films for public television and the Web. By entering the exhibition space on October 1, you may be included in some of the shots filmed for this documentary, and consent to be so included. Should you have any questions, please direct them to Graham Foundation staff Mia Khimm (email@example.com) or Meg Onli (firstname.lastname@example.org), who will be present during filming. Thank you for your understanding.
Image: Photo-documentation of Barbara Kasten working in her studio, New York, NY, 1983. Photo by Kurt Kilgus. Courtesy of the artist.
For more information on the exhibition, Barbara Kasten: Stages, click here.
Khecari Dance Company is a Chicago-based contemporary dance company whose original, movement-based works are notable for their power, idiosyncrasy, and resonance. On August 21, Khecari Dance Company will present their newest work-in-progress—Orders from the Horse—an immersive, site-specific dance performance that will activate multiple rooms in the Graham Foundation’s turn-of-the-century Madlener House. Crafting different environments to frame various perceptual states, dancers will negotiate a landscape pocked with dips, rises, and eddies; falling in, through, or past each other’s wake as they move. Orders From The Horse will be performed by artistic directors Julia Antonick and Jonathon Meyer, with Lighting Design by Rachel K. Levy, and percussion by Joe St. Charles.
Julia Antonick, Khecari’s co-artistic director since 2010, is a dancer and choreographer whose work emphasizes kinetics, filigree, and partnering work. Since 2007, she has been immersed in an ongoing collaboration with her partner Jonathan Meyer, an ongoing investigation of duet-based movement forms. Antonick graduated from the Chicago Academy for the Arts with the Dance Department’s Award of Excellence, and received her BFA in dance from CalArts. She has received choreographic residencies at Djerassi, Ragdale, Links Hall (LinkUp), the Chicago Cultural Center (DanceBridge), and the Storefront Theater. She has received grants from the Chicago Department of Cultural Affairs, Illinois Arts Council, Richard H. Driehaus Foundation, Chicago Seminar on Dance and Performance, The Weasel Fund, Community Arts Assistance Program, and was awarded the Chicago Dancemakers Forum Lab Artist Grant for 2009/2010.
Jonathan Meyer is Co-Artistic Director of Khecari. A gymnast in high school, Meyer discovered dance at Oberlin College in 1990. After a capoeira immersion in Brazil with Maestre Medicina, he returned to college to receive an undergraduate degree in dance from the University of North Carolina at Greensboro. Jonathan has spent time in Montreal, Utah, Amsterdam, and New York, alternating between the dance world and work with at-risk youth in wilderness therapy programs. In 2002, he founded Khecari in Taos, New Mexico, before relocating to Chicago in 2006. Shortly thereafter he began an intensive collaboration and partnership with Julia Rae Antonick, with whom he currently runs the company. Meyer has been a Chicago Dancemakers Forum Lab Artist, an artist in residence at Djerassi and Ragdale Foundations and through LinkUp and DanceBridge in Chicago, and has received support from the Illinois Arts Council and the Chicago Department of Cultural Affairs and Special Events.
Rachel K. Levy is lighting designer for Khecari. Levy’s work has been seen on actors, dancers, musicians, and other performers throughout the US. Highlights include: Piedra de Sol (Getty Villa, Los Angeles, CA); LA Grand Ensemble (Los Angles, CA); Vitality (Dance Alliance, Los Angeles, CA); Beware (Bootleg Theatre, Los Angeles, CA); Patty: The Revival (Highway Theatre, Santa Monica, CA); Antiman, Where’s My Money (Michele Lonsdale Smith Productions, Los Angeles, CA); and Unroute (Michaelopolous Studio, New Orleans, LA). Additionally, Rachel has received two Primetime Emmy Award Certificates for Best Lighting for a Variety, Music, or Comedy Show (So You Think You Can Dance 2011, 2012), and holds an MFA in Production and Design from California Institute of the Arts and a BFA in Dance from Tulane University.
Joe St. Charles is a percussion composer, performer, improviser and teacher who has been working in Chicago since 2001. He has performed at various galleries, music venues, festivals, and institutions throughout the city including The Chicago Cultural Center, Links Hall, Pritzker Pavilion, Curtiss Hall, The Museum of Contemporary Art and the Ruth Page Center for Dance as well as commissioned performances at The University of Chicago and The Dance Center at Columbia College Chicago. Joe also releases percussion recordings under the name Owleater, and teaches students both young and old on Chicago’s north side.
Image credit: William Frederking
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